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AE 32-bit color is not translated.
So here is the thing:
Ive imported Canon 7D footage into Premiere and finished editing. Then i select a couple of clips and replace them with AE Comps.
In AE i change the bpc to 32-bit and change the workspace to linear.
When i save and go back to Premiere the linear colorspace makes the footage very dark.
If i add a luma corrector and change the gamma there to 2.2 the tonal values get fixed, but the colors are still a little washed out.Is this a correct workflow or am i doing something wrong?
I like working in linear for CC in AE and the control i have over the colors and tonal values, but if i have to compromise with washed out colors when i return to premiere i might stay in 8 bit.
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1 Reply
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A couple of questions come to mind:
Are you working on a 32 bit float sequence in PPro?
If you are, the use of any effect that isn’t designated as 32 bit will clamp the entire sequence to 8 bit.
PPro doesn’t have the same color management as AE does, so for the moment, working in linear on a dynamic-linked comp may not supply the same results as rendering a clip from AE…
TimK,
Director, Consultant
Kolb Productions,
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