Adrenaline or MOJO SDI??

[Geraint Pari huws]

Adrenaline is a solid, and fairly robust workstation, the bob gives you all the profesional input and outputs you need in a serious broadcast facility, and if you also post audio then 16 audio tracks real time is cool, I’m not sure how many the mojo set up offers. If you have the cash I’d go with Adrenaline.

[Steve Pankow]

I guess the question becomes why is there a decrease in FCP work? FCP with the right Kona or Blackmagic cards can do HD at a pricepoint much lower than Avid, and in my book producers respond more to price than name brands these days. Avid and FCP are just tools – it’s your people and skills that should make the difference.

[Morten Raarup]

I love FCP, but I do a lot of postproductoin on TV programs and it have to be a fast workflow. In Denmark a lot of tv programs are shot on DVCAM “offline” in native DV on a DV Xpress. In FCP a have to online the program, in AVID I can work from the “offline” media files.

Morten Raarup
On Off Line Postproduction
Copenhagen, Denmark

[Steve Pankow]

Well, you know your market better than I do but there are several US cable networks that cut shows using FCP for both SD/HD, so I don’t know why it would be any different for you.

[Bob Roberts]

When you say shot “offline,” do you mean you are recording directly with DV Xpress? If you need to switch material between FCP and Avid, take a look at https://www.automaticduck.com/