Accidental Canon XL-H1 24f footage

[Will Griffith]

It is a lot easier to make 60i look like 24f.
If it is narrative then I would go that route.

If it is sports or fast action then it will be tough,
especially if it was shot at a slow shutter of 48, etc.
If it was 60 or higher then it may mix ok, but it depends
on what the footage looks like, how many pans, hand held,
etc.

You should be able to just capture as 1080 60i HDV
if you want to go that route.

[Lee Berger]

[Will Griffith] “It is a lot easier to make 60i look like 24f.”

Thanks Will. I thought about that, but less than 10% of the material is 24f and I want to avoid a lot of renders.

[Will Griffith] “You should be able to just capture as 1080 60i HDV
if you want to go that route.”

I’ll give that a try. Thanks again.

Lee Berger
http://www.leebergermedia.com

[Walter Biscardi]

[Lee Berger] “[Will Griffith] “You should be able to just capture as 1080 60i HDV
if you want to go that route.”

I’ll give that a try. Thanks again.”

It’s still going to “look” like 24p unfortunately. That’s the same with DVCPro HD. You can shoot 24 or 30p with the cameras and still capture at 59.94 but it will still have the “film look” of 24 or 30p.

Walter Biscardi, Jr.
https://www.biscardicreative.com
HD Editorial & Animation for Broadcast and independent productions.

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[Will Griffith]

True, but It is a little harder to notice if it is an interview, etc.
Hopefully some creative editing will solve the problem. 🙂

[Lee Berger]

It’s one of the worst possible scenarios, Aerials! Thanks everybody.

Lee Berger
http://www.leebergermedia.com

[Soreyrith Um]

If it’s possible to stylize it somehow, then people will think you shot 24F on purpose.

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