A Touch of Evil — the 3-minute opening

[Todd Terry]

I’ve seen the shot discussed many times, usually by hosts before it plays on a classic movie channel… but I’ve never seen anything actually in print about how it was done. I’ve searched myself, in the past, but never found anything. It sadly might be that there is nothing there to find.

I think one of the interesting things was that Welles was very behind in the “…Evil” shooting schedule. Until they pulled trigger on the massive crane shot. When he said “Cut!” three minutes later, they were now something like eleven pages ahead of schedule.

Wow.

It still holds up 50 years later, too.

T2

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Todd Terry
Creative Director
Fantastic Plastic Entertainment, Inc.
fantasticplastic.com

[Mark Suszko]

Indeed, the restored version is so powerful, you even forgive Heston as a Mexican. It also was pretty kinky in parts, considering the era.

I’ve read a couple Welles biographies but they don’t really say much about how the shot was done.

[Tom Nelson]

It looks like a vehicle-mounted crane shot to me. It might certainly be more complex than that, but the road looks pretty smooth and the shot is the most steady when it’s down low and therefore less affected by the suspension movement of the vehicle.

It’s funny, at 1:50 she almost walks into a car. Worthy of a re-take under “normal” circumstances, which this most certainly wasn’t.

Tom Nelson
Videographer/Editor
Essex Television Group