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9-way chromakeying/drop zone problem, please advise
I’m in the early stages of a spec spot edit, building it in Motion 3. Sample rough below. What I need to do next is chromakey a different, independent video clip into each “flower”‘s video screens. 9 times.
The plants are stationary, I animated a camera move with the timing I need for the script. I did a preliminary test by outputting a single sample plant into an FCP6 timeline and applying the chromakey there, and it worked dandy. But if I can build the keys inside my motion project, then I don’t have to worry about match-moving the key sources in FCP as the camera move happens. In the world of the motion project, the row of plants is stationary, only the camera is moving, so I think this is easier, and will give better quality than my destination sd timeline..
I had wanted to apply some kind of drop zone to these rectangular screens but didn’t find the way, which is why I went the chromakey route. If there *is* a super-simple way to add 9 drop zones to the individual blue screen areas instead, I’d rather know how to do that, but otherwise, I’m looking for advice on how I set up the nine separate keys within Motion 3’s tracks. Each plant is a single group, the nine plants are duplicates of the first. Should I add a track in each group for the key content? Or make nine new tracks layered behind the blue screens, positioned to line up with each screen?
I’m kind of winging it here.