59.94 frame conflicts for film out -workflow?

[David Battistella]

Arnie,

I am not getting baited into any more of this crap.

david

Peace and Love 🙂

[Vahe Douglas]

wow, sounds like I have to do an ‘online’ to a ‘online’.

I would have spent the extra 2 weeks using Lumiere and HDxDV to get 23.98 footage, had i knowen it was going to go to film (I had to use both sofware together to get there on the last project which did not go to film (wasn’t suprised, big waste of time)), but the KONA had the appealing real time capture, right?

I dont know why the capture is limited to 720p at 59.94 with kona, has anyone SUCCESSFULLY captured 23.98 footage off the BR-HD50U that had been shot at 24p HDV 720p with timecode?

i noticed theres a 1080i setting in the gy100, wonder if this will bridge the gap to a faster up-rez vs the 720p format, but all shot at 24p? I would image it would at least be easier to get to 23.98 from 29.97 vs trying to get to 23.98 from 59.94?

but hey, everyone of my clients loves the look and feel of the dvcrpohd 720p from the gy100, i guess if it does go to film, an online to a online will be the silliest thing i will ever have to exlpain to a client. humm.

[Gary Adcock]

[Vahe Douglas] “I dont know why the capture is limited to 720p at 59.94 with kona, has anyone SUCCESSFULLY captured 23.98 footage off the BR-HD50U that had been shot at 24p HDV 720p with timecode? “

this is not correct
you can capture 720p 32.98 from JVC material, you have to use the BR-HD50U and use serial control–but you cannot do it as HDV.

there is a whitepaper on the aja web site specific to your workflow. https://aja.com/pdf/support/AJA_whitepaper_HDV.pdf

gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows

[Vahe Douglas]

thanks, you guys RULE!!!