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  • 4:3 and Letterboxing

    Posted by Jonathan Clauson on April 20, 2010 at 11:06 pm

    Hello all….again!

    The stuff keeps rolling downhill on this project I am on and I am about to jump out my window….which is on the 1st floor so it would be more of a symbolic jump than a real jump but anyway……

    My client just sent me the broadcast standards for their network and it has be staring at the work I just did and wondering how to salvage it. The timeline is a NTSC DV 720×480 Timeline with Anamorphic 16:9 as the footage was given to me shot widescreen on everything ranging from ripping a DVD to HDV footage and everything in between.

    Anyway, the question here is that the broadcast standards were just given to me as: “NRB Network content broadcast format is Standard Definition [4:3]. While material with a 16:9 presentation is acceptable, it must be delivered to NRB Network as a “letterboxed” 4:3 master. Anamorphic 16:9 (tall and skinny) is not acceptable.”

    So after I laid off a DVCAM master for them as an anamorphic but now that won’t work. However, the Widescreen Matte Effect in FCP doesn’t have a 16:9 setting, just 1.66:1 and other film ratios.

    So anyway, the question is how do I take a 4:3 timeline and make it 16:9 via letterboxing to meet the networks demands?

    Thanks so much all.

    Andy Mees replied 16 years ago 5 Members · 6 Replies
  • 6 Replies
  • Michael Sacci

    April 21, 2010 at 12:02 am

    Some video cards can letterbox on the fly so you could use one if you have it. I know the AJA Kona3 does it.

    Simple drop that anamorphic sequence in a standard 4:3 sequence, everything else set to match the prev sequence. You now have a letterboxed sequence. Just output this to tape and you are good to go.

  • Jeremy Garchow

    April 21, 2010 at 1:40 am

    Love the levity in your post, Jonathan.

    And ditto to what Michael says.

  • Adam Smith

    April 21, 2010 at 5:39 am

    I’m beginning to wonder why I always think I need to send these types of jobs to Compressor…

    HD to SD, anamorphic to letterbox – is the scaling in FCP as good as what I’d get out of Compressor with all settings tailored for best quality?

    -Adam

    – – –
    Video Photographer / Avid & Final Cut Editor

  • Jeremy Garchow

    April 21, 2010 at 1:09 pm

    For HD to SD, I’d use compressor.

  • Jonathan Clauson

    May 1, 2010 at 11:48 pm

    Hi Michael,

    Thanks for the reply ( and sorry for the long delay in answering).

    I sadly do not have a tower to have an AJA/Black Magic card. I am stuck on an iMac for the moment so my only means of out putting is vi FW to a SONY HDV/DVCAM deck.

    Do you have any other suggestions?

    – Jonathan

  • Andy Mees

    May 2, 2010 at 3:19 pm

    Hey Jonathan

    As Michael noted, drop the Anamorphic 16:9 edit into a standard (not anamorphic) DV NTSC sequence … it will letterbox it automatically and you can output/export as needed.

    Best
    Andy

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