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24p 2:3 pulldown: Is it OK for DVD _and_ TV broadcast?
I think I understand (?) most of what’s discussed concerning 24p 2:3 standard pulldown vs. 24p 2:3:3:2 advanced pulldown in the following thread in the COW’s DVX100a forum:
https://tinyurl.com/c47ru… and I’ve also read Adam Wilt’s info on the subject on his website, but I’m a bit unclear about how to handle the following situation:
Is shooting in 24p 2:3 standard pulldown mode appropriate if the primary distribution will be via both broadcast TV _and_ DVD (no film-out)?
If it matters, this will primarily concern NTSC.
Advice & comments appreciated,
– Peter
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2 Replies
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That would be the correct way to do it if you are not going to film. Then again if you have a lot of effects then I would shoot those shots in 24pA, so that the pulldown can more efficiently be removed and avoid the interlacing issues that may arise.
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Ryan is correct, you should be fine with the 24 with 2:3. Also, if you end up with shots requiring any effects work on, you could remove the 2:3 pullldown out of those shots, do the effects work on them, and then put the 2:3 pulldown back in after the effects work is done on those shots. There are usually tools available in the effects softwares that will let you remove and add the 2:3 pull down to a source clip.
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