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16/9, pixels, formats etc.
SPACEMAN has been researching transitioning
from 4/3 D1/DV pal to 16/9.
Currently, composition sizes are 720/576.
The idea is to create 16/9 compositions which will
be transported full height anamorphic to transmission,
put through an ‘arc’ and unsqueezed for broadcast.
Also, there will be two stages to broadcast, one which involves
a 14/9 signal, whereby the FHA will be arced 14/9.SPACEMAN has questions.
1. What should the new comp sizes be for 16/9? 1024×576?
2. Square pixels or wide pixels?
3. Has anyone experienced transport irregularities
between software? AFX to AVID, FCP, MEDIA 100 844x. (or return)
4. To facilitate the 14/9 signal, how should the original
comp be prepared?SPACEMAN greatly appreciates anyone who has taken the time
to read and consider these issues, which are taking up so
much valuable playtime.SPACEMAN is scared of COWDOG.
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