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Activity Forums Apple Final Cut Pro Legacy 16:9 and 4:3 co-existing

  • 16:9 and 4:3 co-existing

    Posted by Sue Lawson on November 25, 2008 at 5:19 am

    Hi all!

    Client is shooting 16:9, but wants to incorporate 4:3 footage into project… the final output (for this particular project) will be 16:9.

    For best results, should I simply make independent clips of the 4:3 footage that I end up using, re-size it via Compressor and then re-import them into my project (in a new timeline)?

    Thanks in advance for the response.

    — Sue

    Dual 2.7 GHz PowerPC G5
    4.5 GB DDR SDRAM
    GFX: ATI Radeon 9650

    Mac OS 10.4.11

    Final Cut Studio 2
    FCP 6.0.3 Compressor 3.0.3 Soundtrack Pro 2.0.2 Motion 3.0.2 DVDSP 4.2.1

    David Scott replied 17 years, 5 months ago 4 Members · 3 Replies
  • 3 Replies
  • Jeffrey Venable

    November 25, 2008 at 7:19 am

    you could, but if you’d rather skip steps, 4:3 footage will work in a 16:9 project, you’ll just have to decide if you’d rather have the full image, to which it will be shrunk a little (black on sides) or you could decrease the quality and manually zoom in on the image to fill the whole screen. In either case, I think you’d be adding unneeded steps to recompress.

    Jeff Venable
    -Video + Editing + Photo-

  • Andy Mees

    November 25, 2008 at 9:38 am

    Client is shooting 16:9, but wants to incorporate 4:3 footage into project.

    Sue, is the client shooting HD or Anamorphic SD? If you’re just looking at blowing up a SD 4:3 image to fill an Anamorphic SD 16:9 frame then the result of doing that with a simpl resize in the tmeline, while not perfect, will be likely quite acceptable … but if you are looking at blowing up SD (4:3) to fill an HD 16:9 frame size then thats probably going to look pretty bad and you may want to explore other options. At the high end you’d be wanting to get the footage resized/uprezed at a post house with access to a Teranex or similar high quality hardware device. Alternatively, others have posted of their successes with software solutions such as Instant HD ( from Red Giant Software ).

  • David Scott

    November 25, 2008 at 11:02 am

    HI Sue
    I always set up a 16:9 timeline and then resize the 4:3 footage on it. That way I can pan and scan, and adjust for headroom etc.
    You will notice a definate difference in quality, so it may work giving it a “treatment” and pretenting it should be like that!
    Cheers

    David Scott,
    Senior Editor,
    GOD TV (UK)

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