-
10-bit looks awful!!
Sorry I’ve got several queries at once.
I’ve been using Decklink Extreme for a few years on a G4 and hadn’t had any issues or troubles until recently.
We have several machines in our office and our workflow revolves around rendering from After Effects and outputting via Final Cut Pro. One day after some system updates and subsequent Decklink updates we realized that our codecs were gone and replaced with some we hadn’t seen before.
It took a bit of time to realize that 10-bit duties were now being handled by the Apple Uncompressed 10-bit 422 codec. So for the first time in a few months I got it right recently and started outputting with Apple’s 422 only to run into some unexpected problems with the codec.1) Color handling seems noticibly worse with the 10-bit codec compared to the 8-bit codec. I’m getting nasty, blocky banding and compression artifacts. I tried outputting some tests with rainbow and monotone gradations, and get consistantly bad results from the 10-bit codec. The codec, despite being heavier than Animation or None, looks a whole lot worse. What might the cause for this be?
2) Also I understand that an option for “Trillions of Colors” should appear somewhere in After Effects (using 6.5) but its greyed out in every likely menu. Any ideas?
3) Even though the codec has been placed in the “Library/Quicktime” folder with other codecs, and Final Cut has no trouble locating the codec, I can’t seem to get After Effects to locate it on some of my machines. I get “Apple Intermediate” and “H264” options, but no “Apple Uncompressed 422.” For some odd reason one machine shows “FCP Uncompressed 10-bit 422” and another shows a “Apple Uncompressed 10-bit 422” and another doesn’t show either. Any guesses as to why one machine wouldn’t allow access to the codec from the codec menu in After Effects?
FYI I’m in Japan and have set the gamma for Japan’s NTSC setting. I’m going for NTSC SD output.