Faster, More Flexible AI Matting Fuels Boris FX Silhouette
The 2026 release helps artists tackle complex matting, roto, and paint in fewer steps, adds an automated 3D head mesh, and delivers speedier performance. Boris…
The 2026 release helps artists tackle complex matting, roto, and paint in fewer steps, adds an automated 3D head mesh, and delivers speedier performance. Boris…
While ILM’s John Knoll originally used physical slitscan photography to create the Enterprise-D’s warp jump, we can achieve that same organic, colorful trailing look using…
The new visual compositing platform combines AI models, batch iteration workflows, and programmable production automation alongside the SwitchX API Beeble today announced Canvas, a node-based…
ZEISS announces the launch of CinCraft LensCore, a novel solution for creating physically based cinematic lens looks for visual effects and animation. Built on the…
How did 2001: A Space Odyssey, Star Wars, Doctor Who and Star Trek: The Next Generation create mind-bending visuals decades before CGI? The secret is…
In this tutorial, I talk you through the full workflow for taking a static astrophotography image and turning it into a cinematic fly-through using After…
Creative studio Covert recently contributed VFX to “Always Get Back Up,” an epic hero spot as part of a 360° campaign for Lenovo Legion, Lenovo’s…
Creative studio Covert has promoted Ben Dubois to Executive Producer/Head of Client Partnerships. In his new role, Dubois will continue producing while also spearheading sales…
For Marvel Studios’ Thunderbolts*, the award-winning visual effects team at Digital Domain brought grounded, high-impact action to life in two pivotal sequences. Led by Visual Effects…
Shots Included Digital Doubles, FX, Environments and Complex Green Screen Compositing Since 2012, VES Award-winning studio PFX has delivered visual effects for projects from “Napoleon” to “Stranger…
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