With the new Colorbox, AJA is providing a tremendous toolset that gives confidence in live production to provide ultra-low latency color processing. This small, compact…
Cinematographer Jason McCormick breaks down his cinematography for the Netflix hit series, DAHMER – MONSTER: THE JEFFREY DAHMER STORY. Jason and Go Creative Show host,…
Bob Caniglia, Head of Sales Operations at Blackmagic Design, divulges the secrets behind how and why the Cloud Store Mini is perfect for smaller to…
Broadcasting tools are expensive and ever-changing. Camera tracking is complex. The industry faces a severe talent shortage. What does the future hold for broadcast? Pixotope…
Blackbird is excited to return to IBC for the first time since 2019 ready to present their powerful editing and broadcasting platform. With unique and…
Is CenterCam for you? CenterCam is a tiny camera the sits in the middle of your computer screen during face-to-face internet meetings. With a background…
Released on July 27, the Premiere Pro Guide for long-form and episodic filmmakers is anticipated to be an incredibly helpful source to editors and post-production…
After a brief recount of his rock star history in 1980’s L.A. scene, Bob Bronow recounts his strategy for award winning sound mixing on the…
EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, messy, genre-bending film directed by The Daniels and shot in only 36 days by Director of photographer…
Join Matt Bach, Senior Lab Technician at Puget Labs, to learn why Puget began certifying the most tried and true workstations for post-production, what testing…
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