Colin recounts his venturesome history as an app engineer for Adobe, the creation of his Premier Pro tutorial channel, assisting Canadian law enforcement with Photoshop…
DEVOTION director of photography Erik Messerschmidt, ASC shares the incredible way most of the fighter plane shots were captured practically. Plus, we discuss the visual approach to the…
GLASS ONION: A KNIVES OUT MYSTERY director of photography Steve Yedlin, ASC gives a masterclass in murder mystery cinematography. Learn how the blackout scene was…
Colorist Tashi Trieu has worked with James Cameron’s Lightstorm Entertainment for a number of years as a DI editor, including the remaster of “Terminator 2” as well…
The never ending quest for content continues in 2023, and Avid has developments that production professionals can look forward to. VP of Product Management at…
Josh Petok has been working as a freelance colourist on TV, movies, commercials, and music videos for over 18 years. He works mostly on television…
THE WHITE LOTUS season 2 director of photography Xavier Grobet, ASC, AMC joins us to discuss the pro’s and con’s of filming in a real hotel in Sicily,…
THE BEAR is a masterclass in creating visual chaos and its director of photography Andrew Wehde shares his camera and lighting techniques and philosophies. Andrew…
With the new Colorbox, AJA is providing a tremendous toolset that gives confidence in live production to provide ultra-low latency color processing. This small, compact…
Cinematographer Jason McCormick breaks down his cinematography for the Netflix hit series, DAHMER – MONSTER: THE JEFFREY DAHMER STORY. Jason and Go Creative Show host,…
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