AJA BRIDGE LIVE Helps BCC Live Meet Encoding/Decoding Demands Across Productions
In live event production, preparing for the unexpected is critical, whether a small codec or frame rate issue throws off the chain or a larger problem…
In live event production, preparing for the unexpected is critical, whether a small codec or frame rate issue throws off the chain or a larger problem…
openGear® Leader Partners will be showcasing their newest openGear-compatible products during the Integrated Systems Europe Conference (ISE) 2024, announced Ross Video, the company behind the…
Light Iron, a Panavision Company, offers a range of post-production services for feature film and episodic television, from dailies all the way through to final…
From live broadcasts to in-person events, the audience experience is growing more dynamic by the day. With LED displays becoming the main focal point of…
In a live production environment, there’s no time to mess around, which is why openGear customers love the convenience of DashBoard software, which gives users…
A liaison between production and post on set, digital imaging technicians (DITs) are the go-to resource for troubleshooting everything from imaging sensors to hard drives,…
AJA Video Systems today announced that ColorBox has become the first color management and color conversion solution to be certified as Compatible with RED’s lineup of cinema cameras. This designation…
AJA Video Systems today unveiled DRM2, a rackmount frame that can house and power up to 12 AJA Mini-Converters of any kind, or up to 24 AJA FiDO Mini-Converters with a new…
As the media and entertainment industry has moved to higher-resolution workflows and virtual production, post houses have answered the call by investing in faster, higher-capacity…
AJA Video Systems today unveiled DRM2, a rackmount frame that can house and power up to 12 AJA Mini-Converters of any kind, or up to 24…
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