Blackmagic URSA Broadcast G2 camera

Blackmagic Design Announces Blackmagic Cloud Live Sync!

New live media sync feature in Blackmagic Cloud allows media to appear in theDaVinci Resolve bin as the camera records so editors can work while the camera is rolling!

Blackmagic Design today announced Blackmagic Cloud Sync, a new feature of Blackmagic Cloud storage that allows a camera to sync media into a DaVinci Resolve bin while the camera is recording. Within seconds the editors can see media arriving in real time and start editing, even while the camera continues to record. This is a revolution in broadcast workflows where the editors can see and edit with media, seconds after it’s been recorded in a camera, from any location globally.

Live sync on Blackmagic Cloud with cameras recording live into a DaVinci Resolve bin will be demonstrated on the Blackmagic Design Cine Gear 2024 booth #S5125.

Some contents or functionalities here are not available due to your cookie preferences!

This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

The secret to Blackmagic Cloud live sync is the ability of the latest Blackmagic cameras, such as the Cinema Camera 6K, PYXIS, URSA Cine and URSA Broadcast G2, to record a full resolution HD proxy in H.264. These files are live synced to Blackmagic Cloud as they are recorded, and then also live synced down to all DaVinci Resolve workstations that are connected to the same cloud project. All you need to do is connect to the project. It is all automatic!

On the camera, the customer simply logs into Blackmagic Cloud and selects a DaVinci Resolve project before recording. Then the recording will start live syncing to all connected DaVinci Resolve workstations. Editors can edit while colorists color correct. Plus if customers have multiple cameras recording at the same time, then the new multi sync feature will show all cameras in a multi view, so the editor can pick the best angle.

In many ways this workflow is similar to live streaming into the edit software. If the user starts playing, the playback will never end as the media is syncing into the viewer just in front of the play head. The editor can see the play indicator jump back as each segment of clip arrives and the clip continues to grow in length. Plus the clip icon in the bin will show a red record indicator to show this clip is still recording on the remote camera.

This means when a camera starts recording, a remote DaVinci Resolve system can start editing and color correcting as the scene is shot, then a DaVinci system back on set can see the color grade the moment the camera stops rolling. It means you don’t need a complex color grading setup on set, as a post production facility can do it on a large DaVinci panel with color accurate monitoring. Then the on set DaVinci Resolve system can be used for playback of these color graded shots the moment the shot has been completed. It’s concurrent post production and shooting, where both happen on the same shot at the same time.

For news workflows, a camera such as URSA Broadcast G2 can start recording and syncing into the editing system the moment an historical event starts to unfold. The editor doesn’t have to wait for the camera to stop recording, as they can edit a news segment the moment the camera starts rolling, getting the segment to air in seconds.

If a broadcaster wants to get the media to air as it records, they just have to go back a few seconds in the DaVinci Resolve viewer and press play. DaVinci Resolve will then play back the media as it arrives in a very similar way to live streaming. DaVinci Resolve becomes the media decoder and player!

“Live syncing media from our cameras directly into DaVinci Resolve bins is a workflow revolution. This simply has never been possible before,” said Grant Petty, Blackmagic Design CEO. “It’s just like live streaming into the DaVinci Resolve bin, even when dozens of DaVinci Resolve systems are collaborating via the same Blackmagic Cloud project. This is very exciting and it looks amazing when you see it working live!”

Blackmagic Cloud Live Sync Features

  • Live syncs up to Blackmagic Cloud the moment recording starts.
  • Within seconds the media shows up in the DaVinci Resolve bin.
  • Edit and color correct as the camera records.
  • No faster way to get media on air for broadcast news.
  • Allows remote color grading of shots, syncing back on set in real time.

Availability and Price

The new Blackmagic Cloud live sync feature will be public beta in mid June as a free download for Blackmagic Cinema Camera 6K and Blackmagic URSA Broadcast G2. The Blackmagic Camera app for iPhone will include this feature in an update in the coming weeks. This live sync will also be added to other cameras such as Blackmagic PYXIS 6K and Blackmagic URSA Cine 12K shortly. This update to Blackmagic Cloud will be included free with current Blackmagic Cloud media sync plans. There will be no additional costs.

Blackmagic Design Announces the World’s First Commercial Camera System and Editing Software for Apple Immersive Video on Apple Vision Pro
Blackmagic URSA Cine Immersive and DaVinci Resolve support 8K stereoscopic 3D capture and …
DaVinci Resolve Studio Used to Edit Animation Series LUPIN ZERO
Blackmagic Design announced today that DaVinci Resolve Studio editing, color grading, visual effects …

Enjoying the news? Sign up for the Creative COW Newsletter!

Sign up for the Creative COW newsletter and get weekly updates on industry news, forum highlights, jobs, inspirational tutorials, tips, burning questions, and more! Receive bulletins from the largest, longest-running community dedicated to supporting professionals working in film, video, and audio.

Enter your email address, and your first and last name below!

Sign up:

* indicates required


We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy