Hey Greg,
Difficult questions to answer as in that I would normally charge a client good money for that kind of consultancy. However, as we’re all learning and helping one another, let me give you a few opinions as to how I would approach the job 🙂
4,000 clips is a lot of masters to deal with. And if they’re all one take with no cuts, then you might be better off not going to FCP at all.
Start at point of the shoot: SXS cards is just not a viable option – expensive and slow, as a result useless to mange. Instead capture straight to a raid protected system, with a real-time “back-up” to a portable drive to go every night to Post.
Alternatively, consider doing a dual record at studio, one with clean blue screen and the other with the keyed on background. An Autocue (tele-prompter) might save you a day or many in the edit. And if you can do the key on location, you might save a lot of FCP render time.
This is all depending on how much editing is required. But a cluster of Avid’s or Quantel’s or Smoke’s desktop off-lines. With one real-time on-line system in the middle, all working of the same SAN, could save you time and money. 1 on-line editor is likely to be cheaper than 10 of them with their own home system to pay for.
You could offer the freelancer $150 a finished edit (= $75/hour = 4 edits/day = $600/day depending on how good and fast the editor is). Don’t forget your own mark-up + insurance + hiring in additional help to cope with potential “slackers”.
Do consider the cost of physically distributing the rushes with associated content and getting the masters return – you might be better off hiring a “factory” in Mumbai or similar to out-source all your post to.
Subtitles can always be added. A specialized agency might be faster and cheaper for this job.
Hope this helps?
All the Best
Mads
@madsvid, London, UK
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