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Activity Forums Apple Final Cut Pro Legacy Premiere Pro XML to Final Cut Pro with C300 footage

  • Premiere Pro XML to Final Cut Pro with C300 footage

    Posted by Jorrit Huisman on October 25, 2013 at 4:52 pm

    I’m delivering shots I made with the C300 to the editor. I was asked to trim the shots to save the editor some time. I work in Premiere CS5, she does work in FCP. Now, the XML route from premiere to FCP seems pretty straightforward. But since MXF files from the C300 have to be downloaded trough a Transfer program in FCP, I was wondering if this would cause any trouble in the workflow. For instance; does the relocating of the footage become an issue? Any tips or thoughts are welcome!

    Jorrit Huisman replied 12 years, 10 months ago 4 Members · 7 Replies
  • 7 Replies
  • Rainer Wirth

    October 25, 2013 at 5:31 pm

    which files do you get from FCP, because the native mpeg2 files from the C300 are non editing files in FCP. Normally you have to transcode the C300 files with mpeg streamclip for use in FCP. Premiere shouldn’t have a problem with the workflow. So you can use the FCP files in Premiere and send back a XML so she can work on.

    cheers

    Rainer

    factstory
    Rainer Wirth
    phone_0049-177-2156086
    Mac pro 8core
    Adobe,FCP,Avid
    several raid systems

  • Rainer Wirth

    October 25, 2013 at 5:36 pm

    You have to transcode the C300 files first then import the ProRes files in Premiere. Then you can deal with it in FCP.

    cheers

    Rainer

    factstory
    Rainer Wirth
    phone_0049-177-2156086
    Mac pro 8core
    Adobe,FCP,Avid
    several raid systems

  • Shane Ross

    October 25, 2013 at 6:04 pm

    [Rainer Wirth] “because the native mpeg2 files from the C300 are non editing files in FCP.”

    That is true. And note that they are in the MXF format…

    [Rainer Wirth] “Normally you have to transcode the C300 files with mpeg streamclip for use in FCP.”

    NO no no no no no! Get the Canon C300 Log and Transfer Plugin and use Log and Transfer…that’s helps FCP track the footage. External converters ONLY when all other solutions fail. I’ve L&T’d lots of footage from the C300 into FCP.

    But in other respects you are right. Jorrit, you cannot use PPro 5.5 to prep anything for FCP. FCP won’t work with the files natively, where PPro can. You won’t be able to save the editor any time with PPro. If anything, it will add time. Sorry.

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • Rainer Wirth

    October 25, 2013 at 7:25 pm

    Thanks Shane,

    we didn’t know, that there is a transfer plugin,

    cheers

    Rainer

    factstory
    Rainer Wirth
    phone_0049-177-2156086
    Mac pro 8core
    Adobe,FCP,Avid
    several raid systems

  • Joseph Owens

    October 27, 2013 at 6:31 pm

    [Shane Ross] “External converters ONLY when all other solutions fail”

    Shane, have you tried the Calibrated{Q} MXF Import for OSX?

    I purchased and installed it because I needed to be able to play back XDCam masters for closed captioning, and it seems to be working very well, even inside FCP.

    jPo

    “I always pass on free advice — its never of any use to me” Oscar Wilde.

  • Shane Ross

    October 27, 2013 at 6:45 pm

    [Joseph Owens] “Shane, have you tried the Calibrated{Q} MXF Import for OSX?”

    Yes…I have that on my main computer and laptop. Very slick and easy.

    I installed it when an entire P2 shoot was offloaded improperly. I edited that full shoot native MXF.

    Shane
    Little Frog Post
    Read my blog, Little Frog in High Def

  • Jorrit Huisman

    October 31, 2013 at 8:15 am

    Thanks for all your advice, we’ll have to work arround it then.

    freelance cameraman & editor / http://www.jorrithuisman.com

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