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prores 4444 level shifts
Posted by Dan Luke on February 20, 2010 at 2:14 amI’m exporting motion graphics from motion as QT prores 4444 files. If I import them into FC 7, add it to a sequence, match frame somewhere in the middle, make a still from the resulting match and insert it into the motion graphic, the level on the still shifts.
If I export the motion graphic using the dv codec, no shift. Whats up with that?
Rafael Amador replied 16 years, 2 months ago 5 Members · 9 Replies -
9 Replies
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David Roth weiss
February 20, 2010 at 2:28 amDan,
I have no idea, but you left out an important piece of info above. What are the sequence settings you’re dropping the ProRes graphic into?
David Roth Weiss
Director/Editor/Colorist
David Weiss Productions, Inc.
Los AngelesPOST-PRODUCTION WITHOUT THE USUAL INSANITY ™
A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.
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Russell Lasson
February 20, 2010 at 2:45 am[dan luke] “If I export the motion graphic using the dv codec, no shift. Whats up with that? “
DV is a superior codec to ProRes 4444…… jk
When you export to ProRes 4444, try changing the gamma correction on “none”.
-Russ
Russell Lasson
Colorist/Digital Cinema Specialist
Color Mill
Salt Lake City, UT
http://www.colormill.net -
Rafael Amador
February 20, 2010 at 2:46 amI have just arrived to Prores 444, so no experience, but the compressor have a Gamma option.
Try both ways.
Rafael -
Dan Luke
February 20, 2010 at 3:25 amChanging gamma correction from automatic to none makes the level shift worse.
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David Roth weiss
February 20, 2010 at 4:21 amDan,
My inclination is always to look to DV compression as the culprit. If you’re done editing, try changing the compressor in Sequence>>Settings to ProRes, then re-render, then grab you still and see if there’s a color shift.
Do you see where I’m going?
David Roth Weiss
Director/Editor/Colorist
David Weiss Productions, Inc.
Los AngelesPOST-PRODUCTION WITHOUT THE USUAL INSANITY ™
A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.
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John Pale
February 20, 2010 at 6:42 amHmm. ProRes 444 can be either YUV or RGB….perhaps some sort of conversion is not happening when creating the still from the original (which may be RGB coming out of Motion)
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Rafael Amador
February 20, 2010 at 7:22 am[John Pale] ” ProRes 444 can be either YUV or RGB…”
Yes, but we don’t know in which circumstances.
Same about 12b.
When and how?
Rafael
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