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Activity Forums Apple Final Cut Pro Legacy prores 4444 level shifts

  • prores 4444 level shifts

    Posted by Dan Luke on February 20, 2010 at 2:14 am

    I’m exporting motion graphics from motion as QT prores 4444 files. If I import them into FC 7, add it to a sequence, match frame somewhere in the middle, make a still from the resulting match and insert it into the motion graphic, the level on the still shifts.

    If I export the motion graphic using the dv codec, no shift. Whats up with that?

    Rafael Amador replied 16 years, 2 months ago 5 Members · 9 Replies
  • 9 Replies
  • David Roth weiss

    February 20, 2010 at 2:28 am

    Dan,

    I have no idea, but you left out an important piece of info above. What are the sequence settings you’re dropping the ProRes graphic into?

    David Roth Weiss
    Director/Editor/Colorist
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • Russell Lasson

    February 20, 2010 at 2:45 am

    [dan luke] “If I export the motion graphic using the dv codec, no shift. Whats up with that? “

    DV is a superior codec to ProRes 4444…… jk

    When you export to ProRes 4444, try changing the gamma correction on “none”.

    -Russ

    Russell Lasson
    Colorist/Digital Cinema Specialist
    Color Mill
    Salt Lake City, UT
    http://www.colormill.net

  • Rafael Amador

    February 20, 2010 at 2:46 am

    I have just arrived to Prores 444, so no experience, but the compressor have a Gamma option.
    Try both ways.
    Rafael

    http://www.nagavideo.com

  • Dan Luke

    February 20, 2010 at 2:55 am

    It’s a standard def dv sequence

  • Dan Luke

    February 20, 2010 at 2:58 am

    I’ll try that and report back.

  • Dan Luke

    February 20, 2010 at 3:25 am

    Changing gamma correction from automatic to none makes the level shift worse.

  • David Roth weiss

    February 20, 2010 at 4:21 am

    Dan,

    My inclination is always to look to DV compression as the culprit. If you’re done editing, try changing the compressor in Sequence>>Settings to ProRes, then re-render, then grab you still and see if there’s a color shift.

    Do you see where I’m going?

    David Roth Weiss
    Director/Editor/Colorist
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • John Pale

    February 20, 2010 at 6:42 am

    Hmm. ProRes 444 can be either YUV or RGB….perhaps some sort of conversion is not happening when creating the still from the original (which may be RGB coming out of Motion)

  • Rafael Amador

    February 20, 2010 at 7:22 am

    [John Pale] ” ProRes 444 can be either YUV or RGB…”
    Yes, but we don’t know in which circumstances.
    Same about 12b.
    When and how?
    Rafael

    http://www.nagavideo.com

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