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HDV to Broadcast
Hi everybody!, the eternal newby back…
Is there around any workflow to export HDV to Broadcast for TV?
I finished a project and exported to SD-DVD ( ProRes, exported Quictime Movie and Compressor)
with a great result. But now I´ve been asked to deliver a version for TV Broadcasting and I´m kind of stuck.I searched for tutorials and posts related to the topic and I found a lot about “legal colors”, etc, but I have this part solved already.
My question is: is there a specific format to export to from FCP? specific sequence settings, etc? to what: tape, hard drive, a specific DVD?
The other question is, what are the references I have to put before and after? I know I have to use the color bars and the 1 Hz beep sound, but I also know there are some spaces and seconds I have to leave before, but don´t know exactly what it is.
Is there any workflow like a step by step tutorial for newbys?
Thanks a lot.
Sorry, I read my post and I know that probably sounds very elementary. If there is a post about it that I didn´t find, just dump me there…
Thanks again
(HDV 720p/23,98 fps filmed with the JVC HD 101u. Edited in FCS)
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6 Replies
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[Omar Estrada] “But now I´ve been asked to deliver a version for TV Broadcasting and I´m kind of stuck”
In order to fulfill this request, you will need to know what channel it is being sent to for broadcast. Each channel has its own set of criteria and it must be adhered to. The channels production guidelines will tell you about the slate, bars, tone, amount of black, etc. Will the station accept HD format or only SD? You will have to output to their tape requirements.
Bottom line is you need to know alot more information before a workflow can be prescribed or suggested.
Alan
Alan Smith
Media317Check out my blog – https://media317.com
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Thanks a lot, Alan
I will find out
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I agree with what Alan says, but let me also suggest that once you receive the proper specs from the broadcaster, you really should take you finished project to a professional facility nearby that has FCS for “finishing.”
Proper grading, output to tape, and quality control for broadcast are not something you should attempt to do yourself your first time out of the gate. A single error will get your tape rejected, and delivering a reject will end up costing you time, money, and possibly your reputation. So, hire someone, look over their shoulder this time and take copius notes, and then you can try the same things next time.
Good luck,
DavidDavid Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los AngelesPOST-PRODUCTION WITHOUT THE USUAL INSANITY ™
A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, and Indie Film & Documentary forums.
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Thanks a lot guys…
Yes, the advice sounds wise.
I color corrected using a calibrated monitor and a calibrated external TV, but there are probably tons of things I´m missing.
I am a visual artist by profession, so I´m not that a newby in all the different fields, but still this in my first professional attempt in full editing.
Will follow the advice.
Thanks again.
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Hi Omar,
I’m curious to know if you got an answer or solution to this question as I have the exact same issue. Thanks!
Diana -
[Omar Estrada] “Is there around any workflow to export HDV to Broadcast for TV? “
[Omar Estrada] “My question is: is there a specific format to export to from FCP? specific sequence settings, etc? to what: tape, hard drive, a specific DVD?
“You deliver to the spec required by the broadcaster you are delivering to. This is all covered in the technical specifications you must get from the broadcaster. There is no generic information, each network and broadcaster has their own specs.
We capture HDV to DVCPro HD for editing and color grading and then master out to DVCPro HD or HDCAM depending on what the network requires.
Walter Biscardi, Jr.
Biscardi Creative Media
HD and SD Production for Broadcast and Independent Productions.STOP STARING AND START GRADING WITH APPLE COLOR Apple Color Training DVD available now!
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