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Double system audio confusion. Please help.
I’m confused about how to handle double system audio in FCP. I’m working on a feature that was shot on HDCAM at 23.98. The audio was recorded as BWF on DVDRAM at 29.97 NDF. Time of Day timecode was used for both video and audio so that they would “easy” to sync up. (Would’ve been a lot better if they’d just recorded the audio at 29.98 too, wouldn’t it?)
We have cut the show on FCP 6 at 23.98 using the audio on the HDCAMs. I was expecting to be able to kick out a 30 frame audio EDL for our sound house so they could rebuild the audio portion of the show. I’ve done similar lists with Avid’s EDL manager several times.
Can I make a 29.97 EDL from a 23.98 timeline in FCP?
And can I enter my sound roll numbers in such a way that I can relate them to the corresponding video reel TCs, since they are supposed to be the same?
And if I can do that, how do I create an EDL that references the sound rolls? The “audio EDL” option in FCP seemed pretty limited, and didn’t allow sound reel/tc or aux reel/TC. I’ve consulted the manual and poked around in Cinema Tools, but there doesn’t seem to be a way to make this happen without massive amounts of data entry. It appears that I would have to enter the TC for the first frame of video into the sound roll TC field for each of, oh, 1200 clips. I hope I have this wrong, since I might as well merge all my clips by TC and sync the Devas myself. (Not a bad option if the show weren’t already cut.)
One alternative I was considering: Export a FCP audio EDL of my HDCAM audio and search and replace the tape names with the corresponding sound rolls. But that still doesn’t take care of my 23.98/29.97 problem
Thanks for reading this far. I’m sure I sound confused, but that’s ’cause I am.
As a side note, is there any reason at this point why production should be recording audio at 29.97 for a 23.98 show (direct to DVD, possible film out)?
Thanks!