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Activity Forums Apple Final Cut Pro Legacy Vapor Across

  • Posted by Rsk3527 on September 6, 2006 at 4:44 pm

    Does anybody know if there is a way to keep eureka’s vapor across transition in broadcast safe…it doesn’t seem to give you much control.

    -Rich

    Jase replied 19 years, 8 months ago 5 Members · 8 Replies
  • 8 Replies
  • Tom Matthies

    September 6, 2006 at 6:27 pm

    It’s designed to be used as a transition between two clips. If you use it between two full screen clips, it will go all the way to the edges of the TV raster. If you use it between two clips that are not full screen, say two titles, it should only go slightly outside of the graphics themselves. Is there a problen with the transition going all of the way to the edges of the rester? I guess I’m not sure just why you would want to constrain the effect inside of the safe borders.
    Can you explain your situation a little better?
    Tom

  • Rsk3527

    September 6, 2006 at 6:53 pm

    I’m just wondering if there is a way to keep the whites broadcast legal…it burns out the footage way over 100 and the brightness controler in the effect doesn’t seem to do anything.

  • Joe Paolo

    September 6, 2006 at 6:59 pm

    Add an edit either side of the transition, nest it, then animate a color correction to crush the luma and choma in mid-transition. Not elegant but it works.

    joe

  • Rsk3527

    September 6, 2006 at 7:59 pm

    This is probably a stupid question but how do I edit a filter I put into a nest. I can drag a filter onto the nest in the timeline but when I click on the nest to work with the filter it brings the nest as a sequence.

  • Joe Paolo

    September 6, 2006 at 8:06 pm

    Right click or control click on the nest and select “open in viewer”.

    joe

  • Eli Mavros

    September 8, 2006 at 3:16 pm

    You can also hold down option and double click on a nested clip to open it in the viewer.

    Best,
    Eli Mavros

    Eli Mavros

  • Jase

    September 9, 2006 at 2:38 am

    What I do is sub comp the prog and apply the broadcast safe filter as it’s realtime when subbing….be careful of sub blacks (seems to only effect peaking whites and chrominance) and green spots though (some kind of FCP defect). CC 3 way may be better pushing the limit black and limit white button.

  • Jase

    September 9, 2006 at 2:38 am

    What I do is sub comp the prog and apply the broadcast safe filter as it’s realtime when subbing….be careful of sub blacks (seems to only effect peaking whites and chrominance) and green spots though (some kind of FCP defect). CC 3 way may be better pushing the limit black and limit white button.

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