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Problems Exporting 50i Video
Hullo!
I’m having some problems when I record at 50i in my camera and then try to export the file the same way in Premiere. A picture is worth a thousand words of an illiterate fool:
Clip imported into Premiere:
Same video exported at MPEG2 1080i 25 in Premiere:
I’m temporarily using a borrowed JVC HM100 until I hope the more user friendly Canon XF100 arrives this week, but I have had a lot of problems with the HM100 not importing well into Premiere despite it having native MOV files. I don’t know where I’m going wrong.
Thanks for reading,
Paul. -
5 Replies
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It’s is normal, because you see interlaced footage on a computer monitor. Premiere use only one field in canvas or source monitor, in an exported QT (on a computer monitor) you see both field. What about the exported footage on a broadcast monitor (or television)?
Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com -
Hi Massimo, thanks for your reply. But I’m not sure it’s what you say, this is really really exaggerated and I don’t think it compares to other videos that I’ve seen on Youtube recorded at 50i (https://www.youtube.com/watch?v=xKDB6y5zmDc).
It’s like it thinks its 1080i but it’s really a different resolution, that’s how bad the image looks. My XF100 arrives tomorrow, so I’ll have a look at what happens when I import footage from that at 1080/50i.
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Hi paul. this effect depends also from camera movement. more the camera moves, the more the effect will be visible. I you publish on youtube, try export a de-interlaced movie.
Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com -
Hi again Massimo. If I deinterlace the film it looks fine, but itsn’t that effectively turning it from a 50i film into a 25p film?
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[Paul Walsh] “If I deinterlace the film it looks fine,”
What you mean?
What do you do to make this?Massimo Alberto Croce
Video Editor, Colorist, Pro Tools Editor
massimoalberto.croce@gmail.com
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