Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity › Forums › Adobe Premiere Pro › Color correction advise most appreciated!!

  • Color correction advise most appreciated!!

    Posted by Adrian Sinclair on December 14, 2012 at 12:00 pm

    hello, adrian here. firstly thank you, i have learned a lot on here already. i wonder if anyone could say a few words about a problem i am having…

    i am trying to color match a 5dmkii with an iphone 4. the ‘bands’ i have indicated are thinner on the 5d and fatter on the iphone. i cant color correct the two to match. i thought if i could fatten these bands on the 5d, it might do it. i come from an audio background and thought some kind of equivalent to compression may be the answer.

    i am sure the iphone guys have applied all sorts of trickery, secondary color correction? and other processing.

    the main problem seems to be skin tones.

    any ideas? many thanks.

    ps. the iphone is actually the one that looks perfect color wise. i got the 5d background scene to look perfect, but the skin tones are now yellowish. yuk!

    Angelo Lorenzo replied 13 years, 9 months ago 3 Members · 3 Replies
  • 3 Replies
  • Walter Soyka

    December 14, 2012 at 5:25 pm

    May I suggest posting reference frames, not just the scope outputs? Since we’re presumably looking at the scopes for two different (but related) images, we can’t really give meaningful advice without seeing the images themselves.

    [adrian sinclair] ” i come from an audio background and thought some kind of equivalent to compression may be the answer.”

    Compression is temporally sensitive (attack & release time) — this doens’t really apply to video. However, the overall idea of stretching or squeezing the dynamic range is a good way of thinking about it. With video, this can be accomplished with curves controls (drawing a graph to define a function that map input intensities to output intensities) or with levels adjustments or traditional telecine color controls (redefining the black, white, and gray points).

    [adrian sinclair] “ps. the iphone is actually the one that looks perfect color wise. i got the 5d background scene to look perfect, but the skin tones are now yellowish. yuk!”

    Color correction is rarely a one-pass process. If you have a good overall look that fails in the skin tones only, you can use secondary color correction, limited to skin tones only, to fix it.

    Walter Soyka
    Principal & Designer at Keen Live
    Motion Graphics, Widescreen Events, Presentation Design, and Consulting
    RenderBreak Blog – What I’m thinking when my workstation’s thinking
    Creative Cow Forum Host: Live & Stage Events

  • Adrian Sinclair

    December 14, 2012 at 6:17 pm

    thanks for the reply….

    i tried adding blue to fix the yellow skin but no luck there.

  • Angelo Lorenzo

    December 14, 2012 at 9:17 pm

    Pick a reference color like the tone of the wall to match (the iphone is more blue, btw) but using scopes-only is a little misguided; the images are not near enough in angle to match purely from the scopes. The iphone image is far more in the shadows for instance.

    I would try to match the iphone to a clip on the 5d from a similar lighting or angle. This will help you make some decisions about there being color cast in the shadows, for instance.

    The iphone is, on the vectorscope, much more saturated. I would drop the saturation until the general size and strength of the vectorscope matches the 5D.

    Although I could go on forever, your best bet is to look up tutorials. This is a decent place to start:

    https://www.youtube.com/watch?v=WPQDBefuR20

    ——————–
    Angelo Lorenzo

    Need to encode ProRes on your Windows PC?
    Introducing ProRes Helper, an awesome little app that makes it possible
    Fallen Empire Digital Production Services – Los Angeles
    RED transcoding, on-set DIT, and RED Epic rental services
    Fallen Empire – The Blog
    A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks

    Some contents or functionalities here are not available due to your cookie preferences!

    This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy