Why not keep them as-is? Premiere performs more than decently with native codecs so why create more work for yourself?
If you’re looking for an editing/intermediate codec, like maybe you’re editing on an old machine or on the go with a laptop, there is always:
Prores. Mac-only encoding – at least officially but there are other encoders. The disadvantage is that these encoders don’t use Premiere’s interface
Avid DNxHD. Free, cross platform but the settings can feel a little strange
GoPro Cineform. Cross platform but not widespread.
Angelo Lorenzo
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