That’s correct, except probably the last step, because if he does export from AE as Animation, he’ll have to re-render in FCP (because the AG-DVX100A is a DV device and FCP’s sequence settings are then set to DV codec). You will have this way a file that has five times the file size of DV, but you still end up with DV quality because that’s how FCP’s sequence is configured. Animation has much better quality than DV, but you loose that when you import it in a DV timeline.
You could probably render from AE using Quicktime DV NTSC.
Unfortunately, multiple codec playback in one timeline is the one feature FCP is still missing. In that case, Barend’s recommendation would be completely right. But we are a couple of months away from NAB, and RT multi codec playback is probably the #1 user request for FCP.
tw0BALANCE0ne: There are workflows that are designed to avoid DV processing flaws for DV originated projects, If you’re interested in those, let me know.
Adolfo Rozenfeld
Buenos Aires – Argentina
https://www.adolforozenfeld.com
adolfo@adolforozenfeld.com