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Shared Storage – Medium Sized Post Production
If there is a post or thread devoted the solution I’m seeking – please point me in the right direction. I’m guessing most shared storage situations have a handful of solutions and the accompanying variables must factor in. Here are the details.
I currently need to determine the best (and that includes cost-effective) solution for managing and sharing my small company’s grwowing video archive.
— We currently have about 20TB of video spread over countless hard drives. We have no server of any sort. All post-production work has been done locally, which, as we have grown has meant a contant game of musical hard drives depending on the workstation, pushing and pulling media, and unfortanately poorly logged media such that projects often point to offline media. Time for enterprise-level shared storage, right?!
— We use nothing but Mac. We cut on FCP only. We integrate Adobe AfterEffects footage in about 10% of our projects (as well as the occasional Motion project). Nothing fancier graphically at this point, but as we grow, we could see ourselves with much higher-level graphics and post sound work done.
— “Archive” is about 10TB of digitized mini-DV tape plus 10TB of p2 footage (DVCPRO-HD 720p). We have had third parties shoot XDCAM and HDV footage, but that is only a very, very small fraction.
— Going forward, will originate in AVCCAM HD (From the AF-100). We will shoot and cut 3 to 4 hours of footage per week. We plan to ingest/transcode everything in the future as ProRes HQ (1080). All footage will have at least 3 camera angles… and we will cut multitrack sequences. So 3.5 hour per week x 3 cams.
— We currently have 4 workstations that could be running simultaneously. One iMac, one MacPro (8 core), 3 new MBPs. Looking at fiber channel to the tower, ethernet everywhere else. This could easily expand to 6 within a year.
— We need to have swift access to our archival media (mixing formats). Much of our older media will be repurposed for use in new projects. Whatever storage solution we go with, all media will be reconnected and tidied up.
— We need to have different editors collaborate on projects at different workstations. (e.g. one might start with prepping an assembly, then on to the fine cut by someone else, back to someone else for tightening/grading/mixing/polishing, then finally compression. This is where musical hard drives is killing us.
— Being budget conscious, we considered an Apple server machine and 32 TB of Promise RAID storage? Problems with this? Would this require pushing and pulling of media to the local machine??? Apple software?
— Only slightly more expensive it is looking like the 32TB Evo system from StudioNetworkSolutions would do the trick. Ability to simultaneously cut 2-3 ProRes HQ multitrack projects. No “pushing or pulling”. Easily expandable it seems. In the top end of our budget.
— Waiting to hear back from Small Tree (waiting for the product they offer – but they suggested part of the equation would be getting a 12 (or minimum 8) core Mac Pro?! Claim simplicity of use, but possibly paying a high premium for 10Gb connection required for the multitrack sequences.
— Then we need to consider backup. Assuming LTO tape. Monthly or weekly backup. Stored off-site. Worth it to pay more for LTO5???
— Any use for all of the older HDs as a cost-saver, either in terms of shared storage or backup??
I realize these are basic enquiries for what seems to be a very complex strategy?
Anyone familiar with the EVO system or StudioNetworkSolutions? Are there similar alternatives?
Thanks in advance.