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Magic Bullet AE & FCP workflow
I’m working on a surf feature at the moment. I would like to use the Look Suite profiles in the new MB Editors 2 inside Final Cut. I would also like to de-interlace and de-artifact the footage in MB Suite for After Effects. My question is, in which order I should perform these functions for the best image quality/least degradation?
Currently I have interlaced footage in an Upper Fields sequence in FCP. Should I export these to AE – deinterlace – then load back into a Progressive sequence in FCP and apply Look Suite or vice versa? I’m using Blackmagic 10bit codecs. The film is to be distributed on DVD (PAL & NTSC).
Also, the footage was shot on DV (PAL) but I captured from a DVCPro deck (with a miniDV adapter) through SDI to 10bit uncompressed Upper Fields. I know DV is Lower Fields – so when I put the shots in AE for deinterlacing should I interpret the footage as Lower or Upper Fields?
Deadline is looming – any ideas would be greatly appreciated.