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Activity › Forums › DSLR Video › What App do you prefer to chroma key with SLR videos on macs?

  • What App do you prefer to chroma key with SLR videos on macs?

    Posted by Jay Levi on September 11, 2011 at 11:27 am

    I understand that technically its better to use a video camera to capture true green screen videos, putting this aside for now and over SLR i wanted to ask what apps you guys found have the solid workflow for 5,7 D canon camera or DSLRs in general?

    With a decent softbox 3 piece light set and greenscreen backdrop as well as a flexi piece (5×7) i still am concerned over workflow, quality and speed of rendering.

    –FCPX chroma key is ajoke, fast but quality was literally rubbish!
    –FCP Studio is nice but rendering requires converting videos, i use logic and pro tools and plug in conflicts prevent me from sharing the same drive, its a pain in the neck to reboot into another drive just to run this app, in the end worth it but still…..ehh
    –iMovie is actually a nice chroma key, very limited unfortunately
    -After effects surprised me yesterday, i had no idea it was so powerful, is there better?
    –Premiere i liked as well.

    I never tried motion, shake or any other, please do share info

    cheers
    Mandi

    Owen Wexler replied 14 years, 11 months ago 5 Members · 4 Replies
  • 4 Replies
  • Pete Burger

    September 11, 2011 at 2:18 pm

    [Jay Levi] “I understand that technically its better to use a video camera to capture true green screen videos”

    I know you wanted to skip that, but the problem is not the kind of camera you’re using, but the compression and the way color information is reduced… So a DSLR is not worse than any camcorder that uses 4:2:0 … with that having said 😉 …

    I’m very happy with Keylight – an extremely powerful tool that ships free with Adobe After Effects. Very well documented in a lot of tutorials (here on the COW and all around the web)

    ——————————————
    “Tragedy is a close-up; comedy, a long shot.” – Buster Keaton

  • Noah Kadner

    September 11, 2011 at 6:10 pm

    It all comes down to even lighting on a good screen and properly lit subjects. It’s easy to pull a key that was shot very well in any NLE. I’ve pulled keys using just FCP’s keyer. But it’s like pulling teeth when it’s not well shot.

    Noah

    40% discount for Creative Cow users with code ccow2011 at Call Box Training.
    Featuring the Panasonic GH2 and GoPro HD Hero.

  • Brent Dunn

    September 13, 2011 at 6:50 pm

    I don’t do much chroma key, but I know most use after effects to pull the keys.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Owen Wexler

    October 15, 2011 at 11:50 pm

    Ultra keyer in Premiere Pro and Keylight in After Effects are your best bet for built-in effects. Can’t comment on others but I’ve heard good things about Red Giant’s Primatte.

    I used to use Keylight to key a show shot on greenscreen with a DV camera every week… getting decent results was like pulling teeth but I was still able to do it. If Keylight can do OK with DV greenscreen footage, I’d guess it can do well with a DSLR too but you’re in for a bit of a headache trying to pull a good key… I’d advise using at least a 4:2:2 camera if you can.

    Cinematographer – Editor – Motion Graphics Artist – Colorist

    https://www.owenbwexler.com

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