Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums DSLR Video What App do you prefer to chroma key with SLR videos on macs?

  • What App do you prefer to chroma key with SLR videos on macs?

    Posted by Jay Levi on September 11, 2011 at 11:27 am

    I understand that technically its better to use a video camera to capture true green screen videos, putting this aside for now and over SLR i wanted to ask what apps you guys found have the solid workflow for 5,7 D canon camera or DSLRs in general?

    With a decent softbox 3 piece light set and greenscreen backdrop as well as a flexi piece (5×7) i still am concerned over workflow, quality and speed of rendering.

    FCPX chroma key is ajoke, fast but quality was literally rubbish!
    FCP Studio is nice but rendering requires converting videos, i use logic and pro tools and plug in conflicts prevent me from sharing the same drive, its a pain in the neck to reboot into another drive just to run this app, in the end worth it but still…..ehh
    iMovie is actually a nice chroma key, very limited unfortunately
    -After effects surprised me yesterday, i had no idea it was so powerful, is there better?
    Premiere i liked as well.

    I never tried motion, shake or any other, please do share info

    cheers
    Mandi

    Owen Wexler replied 14 years, 9 months ago 5 Members · 4 Replies
  • 4 Replies
  • Pete Burger

    September 11, 2011 at 2:18 pm

    [Jay Levi] “I understand that technically its better to use a video camera to capture true green screen videos”

    I know you wanted to skip that, but the problem is not the kind of camera you’re using, but the compression and the way color information is reduced… So a DSLR is not worse than any camcorder that uses 4:2:0 … with that having said 😉 …

    I’m very happy with Keylight – an extremely powerful tool that ships free with Adobe After Effects. Very well documented in a lot of tutorials (here on the COW and all around the web)

    ——————————————
    “Tragedy is a close-up; comedy, a long shot.” – Buster Keaton

  • Noah Kadner

    September 11, 2011 at 6:10 pm

    It all comes down to even lighting on a good screen and properly lit subjects. It’s easy to pull a key that was shot very well in any NLE. I’ve pulled keys using just FCP’s keyer. But it’s like pulling teeth when it’s not well shot.

    Noah

    40% discount for Creative Cow users with code ccow2011 at Call Box Training.
    Featuring the Panasonic GH2 and GoPro HD Hero.

  • Brent Dunn

    September 13, 2011 at 6:50 pm

    I don’t do much chroma key, but I know most use after effects to pull the keys.

    Brent Dunn
    Owner / Director / Editor
    DunnRight Films
    DunnRight Video.com
    Video Marketing Toolbox.net

    Sony EX-1,
    Canon 5D Mark II
    Canon 7D
    Mac Pro Tower, Quad Core,
    with Final Cut Studio

    HP i7 Quad laptop
    Adobe CS-5 Production Suite

  • Owen Wexler

    October 15, 2011 at 11:50 pm

    Ultra keyer in Premiere Pro and Keylight in After Effects are your best bet for built-in effects. Can’t comment on others but I’ve heard good things about Red Giant’s Primatte.

    I used to use Keylight to key a show shot on greenscreen with a DV camera every week… getting decent results was like pulling teeth but I was still able to do it. If Keylight can do OK with DV greenscreen footage, I’d guess it can do well with a DSLR too but you’re in for a bit of a headache trying to pull a good key… I’d advise using at least a 4:2:2 camera if you can.

    Cinematographer – Editor – Motion Graphics Artist – Colorist

    https://www.owenbwexler.com

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy