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Conforming Question
Posted by Joe Mckinney on December 29, 2010 at 4:02 amHey guys, I’ve just been delivered content from three DSLRs to edit. I have two different sizes, two compression settings, and three different frame rates. I’m looking for the best approach to get these files to play well together in a sequence. The info for the files is below. Absolutely any help you guys can give me is appreciated! Thanks!
7D
29.97
1920×1080
H.264D7000
23.98
1920×1080
H.264D90
24
1280×720
Apple OpenDML JPEGJoe McKinney
Anthony Bari jr. replied 15 years, 6 months ago 5 Members · 8 Replies -
8 Replies
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Richard Harrington
December 29, 2010 at 4:09 amEdit in PP CS5 natively
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Shane Ross
December 29, 2010 at 5:38 amWhich edit system Joe?
And Richard, does Adobe CS5 mix frame rates well? Properly?
Shane
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Richard Harrington
December 29, 2010 at 2:41 pmYes… it does it quite well… using same sort of tech as in AE on final render to blend frames as needed.
Personally… I’d go 24 as most of his stuff is that and its easier to go down then up
Richard M. Harrington, PMP
Author: From Still to Motion, Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and Motion Graphics with Adobe Creative Suite 5 Studio Techniques
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Steve Crow
December 29, 2010 at 3:08 pmIf using final cut, it’s easy. Just drag your 720p video into the timeline, final cut will ask you if you want to set up a sequence according to this clip’s properties, click on yes.
Then drag the rest of the clips onto the timeline and they will be automatically conformed to all match the 720p sequence settings. You will have to render but that’s okay.
Perhaps in Premiere Pro you don’t have to render, I’m not 100% sure on that.
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Joe Mckinney
December 30, 2010 at 11:47 pmThanks for your help Steve. I can’t seem to get the D90 footage to prompt me to set up my sequence. Perhaps it uses a codec that FCP doesn’t recognize?
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Anthony Bari jr.
January 4, 2011 at 3:39 amStick to FCP unless you have a high end machine. The Native H.264 is a new feature and still requires
top notch Graphics Card. If you are on a laptop, transcode to ProRes and you will have alot easier edit.I agree with Rich, Premier Pro CS5 is great to edit native H.264, but you should work with what you have.
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