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Activity Forums Adobe After Effects Formats for chroma keying

  • Richard Van den boogaard

    January 5, 2011 at 3:43 pm

    Hi Johannes,

    The more detail is recorded in the image, the better your key will perform when doing green screen work.

    Therefore, if you record in ProRes 4:2:2 or better yet 4:4:4, it will work better than a 4:2:0 encoded file. What will not help you much is transcoding of compressed 4:2:0 footage to 4:2:2 or 4:4:4 ProRes. As far as I know, there are not a lot of cameras that allow for native ProRes recording (ARRI Alexa does), although some cameras offer a 4:2:2 SDI output signal which can be recorded on a separate recorder.

    I don’t have experience yet how DSLRs perform with green screen work. Maybe someone here on the forum does…

    Richard van den Boogaard
    Freelance cameraman • Glidecam Operator • Editor • YouTube expert

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