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Activity Forums Cinematography A Touch of Evil — the 3-minute opening

  • A Touch of Evil — the 3-minute opening

    Posted by Rick Wise on October 9, 2009 at 7:06 pm

    I have searched, with no success, to find a first-hand description of how in 1958 Orson Well’s crew pulled off the amazing crane shot that opens A Touch of Evil and sets up the entire story. Does anyone here know of such a description?

    (If you’ve never seen it, the opening is posted on YouTube: https://www.youtube.com/watch?v=Yg8MqjoFvy4)

    Rick Wise
    director of photography
    San Francisco Bay Area
    and part-time instructor lighting and camera
    grad school, SF Academy of Art University/Film and Video
    https://www.RickWiseDP.com
    https://www.linkedin.com/in/rwise
    email: Rick@RickWiseDP.com

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    Tom Nelson replied 16 years, 8 months ago 4 Members · 3 Replies
  • 3 Replies
  • Todd Terry

    October 9, 2009 at 7:59 pm

    I’ve seen the shot discussed many times, usually by hosts before it plays on a classic movie channel… but I’ve never seen anything actually in print about how it was done. I’ve searched myself, in the past, but never found anything. It sadly might be that there is nothing there to find.

    I think one of the interesting things was that Welles was very behind in the “…Evil” shooting schedule. Until they pulled trigger on the massive crane shot. When he said “Cut!” three minutes later, they were now something like eleven pages ahead of schedule.

    Wow.

    It still holds up 50 years later, too.

    T2

    __________________________________
    Todd Terry
    Creative Director
    Fantastic Plastic Entertainment, Inc.
    fantasticplastic.com

  • Mark Suszko

    October 10, 2009 at 6:56 pm

    Indeed, the restored version is so powerful, you even forgive Heston as a Mexican. It also was pretty kinky in parts, considering the era.

    I’ve read a couple Welles biographies but they don’t really say much about how the shot was done.

  • Tom Nelson

    October 26, 2009 at 6:24 pm

    It looks like a vehicle-mounted crane shot to me. It might certainly be more complex than that, but the road looks pretty smooth and the shot is the most steady when it’s down low and therefore less affected by the suspension movement of the vehicle.

    It’s funny, at 1:50 she almost walks into a car. Worthy of a re-take under “normal” circumstances, which this most certainly wasn’t.

    Tom Nelson
    Videographer/Editor
    Essex Television Group

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