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A Lot to Chew On
I’m sorry but this may take a while:
I’ve been reviewing this forum for some time. I can’t seem to get a concrete answer to the following JVC workflow. It seems everyone is having problems getting HDV footage shot on a JVC camera into Final Cut. I shoot on a JVC 200U…..I have a JVC BR-HD50 playback/record deck to get the footage into Final cut.
I just purchased a fancy new 8 core quad something from apple after my G5 started to slow down.
Heck it was time to upgrade after 3 years right? and it’s deductible.I’m not in love with 24p. It probably looks better to the professionals, but really, when do you work for other video professionals that can tell the difference?.. most of my corporate clients wouldn’t know 24p from Adam. I recall a post right here on the cow that said …
” If your shooting 24p because someone told you that’s what all the professionals shoot……I suggest that you consider spending hyour money on a 1/4 warm black promist and improve your lighting….both will do far more to improve your look than 24 P”
I’m scared to death to load my brand spankin new Final Cut Studio 2 upgrade. It appears that there have been some real issues with loading JVC HDV footage using final cut 6. I’m thinking I should stay with 5.1 and try to sell 6 on E-bay.
Please someone, anyone…..
advise me…..I’v e been shooting HDV in the sony format for a couple of years but I bought the JVC because,for an old Betacam guy, its so much easier. Switches on the outside instead of menu’s six deep are a blessing.So I would appreciate any input, good or bad.
Again I have a JVC 200U I normally shoot HDV 60P when I have enough light.
I will venture into the land of HDV 30p once in a while if I need a little more light sensitivity.
Anything not advisable there? Does the 30p look “close” to 24 p?
Will shooting 30 or 60 p eliminate the issues with loading footage?I have a JVC BR-HD 50 to load the footage.
I have final Cut 5.1 and will use that until I get an assurance that this whole loading thing will work with final cut 6. What settings or dropdowns do I use to import the footage. A previous post here said that they have had success in using the SONY HDV preset (will that really work)?
And what’s all this about not being able to enter in points and out points without a 7 second pre-roll on every shot? What’s the deal with that?
So should I just go back to shooting DV, since most of my clients want a DVD in the end anyway?
I still think that the down convert to MPEG 2 would probably still look better than DV.There’s a lot to chew on. I await your comments.
Rich