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Activity Forums Audio voice over trap and mike rec.

  • voice over trap and mike rec.

    Posted by Craig Alan on January 11, 2012 at 6:12 pm

    https://www.realtraps.com/p_pvb.htm

    what do you think of this and can you give me some recommendations of vo mikes at around $1000.

    thanks

    OSX 10.5.8; MacBookPro4,1 Intel Core 2 Duo 2.5 GHz MacPro4,1 2.66GHz 8 core 12gigs of ram. GPU: Nvidia Geoforce GT120 with Vram 512. OS X 10.6.x; Camcorders: Sony Z7U, Canon HV30/40, Sony vx2000/PD170; FCP 6 certified; write professionally for a variety of media; teach video production in L.A.

    Tony Koretz replied 14 years, 4 months ago 4 Members · 7 Replies
  • 7 Replies
  • Ty Ford

    January 12, 2012 at 1:19 am

    Hello Craig,

    A (very) little absorption on the deaf side of any mic is not enough to overcome a bad acoustic environment except on CSI.

    Try this: https://www.neumann.com/?lang=en&id=current_microphones&cid=tlm102_description

    Regards,

    Ty Ford
    Audio Forum Leader


    Want better production audio?: Ty Ford’s Audio Bootcamp Field Guide

  • Craig Alan

    January 12, 2012 at 10:17 am

    Thanks Ty. Comes in at $700. cool.

    Can you recommend a portable sound booth of some kind or does this really take a room designed for this purpose?

    Also if we were to use the TLM102 directly into an editing program will the mixpre-d do the trick. I know it can provide the phantom power required.

    Also would you advise a thrid party shock mount or does the stand mount that comes with it do the trick?

    OSX 10.5.8; MacBookPro4,1 Intel Core 2 Duo 2.5 GHz MacPro4,1 2.66GHz 8 core 12gigs of ram. GPU: Nvidia Geoforce GT120 with Vram 512. OS X 10.6.x; Camcorders: Sony Z7U, Canon HV30/40, Sony vx2000/PD170; FCP 6 certified; write professionally for a variety of media; teach video production in L.A.

  • Ty Ford

    January 12, 2012 at 1:10 pm

    Craig,

    Do you really need a booth? Tell us about what’s going on at your place.

    Suspension mounts are important if you have a lot of structure born vibrations. If you don’t have that, you should be oK without one.

    Mix PreD will work. You might want a pop filter.

    Regards,

    Ty Ford


    Want better production audio?: Ty Ford’s Audio Bootcamp Field Guide

  • John Fishback

    January 12, 2012 at 3:17 pm

    I’ve never used a PVB, but our VO booth uses their bass traps which are excellent.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.8 QT7.6.4 Kona 3 Dual Cinema 23 ATI Radeon HD 3870, 24″ TV-Logic Monitor, ATTO ExpressSAS R380 RAID Adapter, PDE enclosure with 8-drive 6TB RAID 5
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  • Craig Alan

    January 12, 2012 at 6:14 pm

    The video production class shoots a variety of short form videos, some of which require a voice over added in post. It is rare that we can record anything isolated from group noise. I have 4-5 production teams per class. This just looked like it was possible to block some of the surrounding environment.

    OSX 10.5.8; MacBookPro4,1 Intel Core 2 Duo 2.5 GHz MacPro4,1 2.66GHz 8 core 12gigs of ram. GPU: Nvidia Geoforce GT120 with Vram 512. OS X 10.6.x; Camcorders: Sony Z7U, Canon HV30/40, Sony vx2000/PD170; FCP 6 certified; write professionally for a variety of media; teach video production in L.A.

  • Ty Ford

    January 12, 2012 at 9:38 pm

    Craig,

    That line from Dirty Harry comes to mind. Do Ya Feel Lucky? Well, Do Ya?

    I have no way of knowing what you deem acceptable. While it will block SOME direct sound. I doubt it will be enough. Blocking sound like this from the rear of a directional mics really doesn’t buy you much.

    Regards,

    Ty Ford


    Want better production audio?: Ty Ford’s Audio Bootcamp Field Guide

  • Tony Koretz

    January 17, 2012 at 9:55 am

    If you are having problems with picking up too much noise from round the room you may want to consider the Shure sm7b as a VO mic. They don’t have a lot of gain and so require a good quite preamp with plenty of usable gain, but they have the advantage of allowing you to get really close to the capsule. If proximity effect is likely to be a problem, the ElectroVoice RE20 is another possibility as it has virtually no proximity effect ( ie: it doesn’t sound bassier the closer you get to it). Both are dynamic mics and require no +48. Both of these mics have a long history as broadcast announcer mics and are well under your $1000 figure, which means you have some money left over for sound treatment in the room.
    Well acoustically treated recording spaces make a world of differencre to the outcome v untreated spaces.

    Rocksure Soundz
    https://rocksuresoundz.com

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