Cooke Anamorphic/i SF lenses give painterly look to Guilt series 2
Cinematic flares and vivid colours bring a new look to the comedy drama Shooting a second season of an award-winning show could potentially be creatively…
Cinematic flares and vivid colours bring a new look to the comedy drama Shooting a second season of an award-winning show could potentially be creatively…
The visual effects studio produces creature effects and other surreal visuals for horror film that debuted at Sundance. BREAK+ENTER, a Nice Shoes company, served as the primary visual…
TICK, TICK… BOOM! follows Jonathan Larson on his path to being the successful musical composer we know of him today. Cinematographer Alice Brooks ASC breaks down her cinematic approach…
During the height of the pandemic, live music shows were non-existent since large in-person gatherings were mostly banned. American jam band Goose needed to get creative to…
Rising Sun Pictures produced nearly 200 visual effects shots for the new Marvel Studios series Hawkeye, which recently debuted on Disney+. The studio’s work included the reproduction…
The CBC/IMDb TV original crime drama series Pretty Hard Cases – now in its second season – was shot in Toronto; not as the typical stand-in for…
Blackmagic Design today announced that Toyama based KAN-NARI Corporation’s Audio Visual and Communication (AVC) division is using a Blackmagic Design workflow, including a range of ATEM live…
Rita Baghdadi’s film about a female metal band from Lebanon premieres January 23rd in the festival’s World Documentary Competition. Making its world premiere at this year’s…
At Adobe, we’re committed to empowering and celebrating filmmakers and underrepresented creators everywhere. And now more than ever, film and storytelling have the power to…
On-set virtual production will be the first solution to come out of SMPTE’s Rapid Industry Solutions initiative. SMPTE, the home of media professionals, technologists, and…
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