Speed, Innovation, & LEDs: Whitaker ASC and Verbinski Dive into the Astera Era
Good Luck, Have Fun, Don’t Die in theaters February 2026 James Whitaker, ASC reunited with visionary director Gore Verbinski (Pirates of the Caribbean, Rango, A Cure for…
Good Luck, Have Fun, Don’t Die in theaters February 2026 James Whitaker, ASC reunited with visionary director Gore Verbinski (Pirates of the Caribbean, Rango, A Cure for…
Robust Wisycom ADB2 Antennas Help Deliver Clean, Reliable Audio for FX’s Acclaimed Series Capturing the raw energy and emotional intensity of FX’s hit series “The…
What can puppetry teach filmmakers about acting, storytelling, and cinematography? In this episode of The Go Creative Show, host Ben Consoli sits down with puppeteer…
Teradek, a global leader in advanced video transmission technology, today announced the launch of RF-X Auto Switcher, a revolutionary appliance designed to deliver flawless, uncompromised signal…
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Executing technically ambitious live streams, virtual productions, and immersive media today requires talent, creativity, and the right supporting technology. Los Angeles-based production outfit Butcher Bird Studios balances…
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How the production team on “Alfie Atkins” kept edit, color and VFX moving on a budget. Tomas Alfredson’s route to “Bara knyt, Alfons!” (“Alfie Atkins”) started…
Sony’s New Coach’s Headsets, 175+ Cameras and Hawk-Eye Tracking and Video Technologies Capture Every Angle, Split-Second Decision and High-Speed Moment of the NFL’s Biggest Game…
James Westlake on shooting “Imagination of a Phoenix” with a large format 8K workflow For Cinematographer James Westlake, “Imagination of a Phoenix” was one of…
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