Netflix Film Don’t Look Up Graded with DaVinci Resolve Studio
Netflix’s “Don’t Look Up” follows two academic astronomers who, after discovering a comet destined to destroy the Earth within six months, must go on a giant media…
Tag: behind the scenes
The Witcher Season 2 Cinematography, with Jean Philippe Gossart and Romain Lacourbas
THE WITCHER season 2 cinematographers Jean Philippe Gossart and Romain Lacourbas share details about how they collaborated on bringing more color and dimension to the series. JP, Romain, and Go Creative…
AFX Creative Brings VFX Ingenuity to Welcome Dr. Evil ‘Back for Good’ in General Motors’ Super Bowl LVI Campaign
The villainous mastermind with the indelible iron pinkie and cheeky smirk returns in General Motors’ Super Bowl LVI campaign, which brings the infamous Dr. Evil…
Hit Korean TV Show “Mine” Graded with DaVinci Resolve Studio by Westworld
Blackmagic Design today announced that Seoul, South Korea based production and post studio Westworld completed color correction on the recent tvN television series “Mine” using…
ELEMENTS 2021 Year in Review, with Creative COW
Heiner Lesaar, CTO of ELEMENTS, speaks with Creative COW’s Brie Clayton to discuss strides made in the digital storage industry in 2021, and what is…
Award Winning Audio Post Facility 3H Sound Studio Installs Multiple Fairlight Advanced Consoles
Blackmagic Design today announced that prestigious Taipei based film post house 3H Sound Studio Ltd. installed multiple digital audio workstations (DAWs) built around its DaVinci…
The Last Thing Mary Saw Captured with Cooke Optics S7/i Full Frame Plus Lenses
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
S.Pellegrino Young Chef Academy Grand Finale Streamed with Blackmagic Design
Blackmagic Design today announced that the grand finale of S.Pellegrino Young Chef Academy Competition 2019-2021 relied on a Blackmagic URSA Broadcast multicam workflow for onsite AV…
ZEISS Supreme Primes Work Day and Night for Plan B — Cinematographer Sandra Valde-Hansen on Large Format
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
Creative COW Show Interview: NVIDIA’s Omniverse is About to Revolutionize Post-Production Workflow
Creative COW interviews TJ Galda, Director of Omniverse Product Management at NVIDIA, to discuss NVIDIA’s Omniverse, and what it means for digital creators. Enjoying the…