PBS Documentary When We Were Shuttle Shot and Graded with Blackmagic Design
Blackmagic Design today announced that the PBS documentary “When We Were Shuttle” was shot with the Blackmagic Pocket Cinema Camera 6K digital film camera and…
Tag: behind the scenes
VFX Studio REALTIME revisits the 1980s for ITVX’s Nolly
REALTIME was delighted to team up with Quay Street Productions on Nolly, the new drama series written by the BAFTA-winning writer Russell T Davies (It’s A…
Sundance 2023 Premiere Rotting in the Sun Relies on Blackmagic Cloud for Post
Blackmagic Design today announced that Blackmagic Cloud enabled real time collaboration during post production for the feature film “Rotting in the Sun,” which is part…
From Photoshop to Premiere Pro: The Many Careers of Colin Smith, Creator of VideoRevealed!
Colin recounts his venturesome history as an app engineer for Adobe, the creation of his Premier Pro tutorial channel, assisting Canadian law enforcement with Photoshop…
Digital Domain’s Wakanda Forever VFX reel: Behind the Final Battle and 4 New MCU Heroes
Digital Domain was tasked with most of the major effects for the final act, including the battle on the sea and sand, and the introduction…
Natasha Braier, ASC CDF: Lighting She Said car scenes with LED screens at Carstage NY
Cinematographer Natasha Braier, ASC CDF, is no stranger to making use of unusual lighting in her filmmaking, from the vivid psychological thriller The Neon Demon…
Devotion Cinematography, with Erik Messerschmidt, ASC
DEVOTION director of photography Erik Messerschmidt, ASC shares the incredible way most of the fighter plane shots were captured practically. Plus, we discuss the visual approach to the…
Disney’s Pinocchio Used Ultimatte 12 and HyperDeck Studio 4K Pro for Virtual Production Pipeline
Blackmagic Design today announced that Disney’s “Pinocchio,” the live action version of the animated classic film, used Ultimatte 12 real time compositing processors and HyperDeck…
Steve Yedlin, ASC, lenses Glass Onion: A Knives Out Story with ZEISS Supreme Primes
Long-time collaborators, cinematographer Steve Yedlin, ASC, and director Rian Johnson, have been pushing each other creatively since their late teens. Yedlin would go on to…
Goldcrest Post Prepares “Cat Person” for Sundance Premiere
Goldcrest Post helped to prepare Cat Person for its recent world premiere at this year’s Sundance Film Festival, providing comprehensive post-production services for Director Susanna Fogel’s psychological…