Colour grading meets machine learning
In the ever-evolving landscape of film and TV post-production, machine learning (ML) has become a pivotal force with a magnitude of ML models for image…
COW Job Listing: 3D Character Modeling, Rigging, Animation from Mocap for Short Film
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iMAG Elevates Visual Experiences with Strategic Investment in ROE Ruby-C LED Panels
iMAG, a leading force in the audio-visual industry, has proudly unveiled a significant milestone with a substantial investment in the revolutionary ROE Ruby-C LED panels.…
Picture Shop Names Rachel Faith Hanson as Executive Producer of VFX
Picture Shop has announced that Rachel Faith Hanson has been named executive producer of visual effects. She will be based at Picture Shop’s facility at Sunset Gower…
Optical Printers: compositing before After Effects
Beyond the basic explanation of “blue screen”, have you ever wondered how they used removed the blue from a background? These days compositing software makes…
Bryan Bray Joins Chyron as General Manager of Venues
Chyron today announced the appointment of Bryan A. Bray as general manager of venues. Leveraging his deep experience as a live sports and entertainment production…
YouTuber Jared Dines’ Musician Mansion Reality Series Posted in DaVinci Resolve Studio
Blackmagic Design today announced that musicians and content creators Jared Dines (@JaredDines_) and Angel Vivaldi (@AngelVivaldi) turned to DaVinci Resolve Studio for post production on…
Digital Domain Visualizes the Legacy and Origin Story of the Choctaw People in the Opening Episode of the Latest Marvel Studios’ Series Echo
The award-winning visual effects studio introduces the legendary Chafa to the audience, visually showcasing how she saved the Choctaw people in an extremely moving opening…
Creamsource Evolves Flagship Series with Vortex Softs and Vortex24
Creamsource, maker of artisan LED lighting for film and television, announces today the exciting expansion of its Vortex flagship line. The evolution signifies a diversification…
Maxon’s Demystifying Post-Production: Compositing with AOVS
Monday, February 12th at 5PM GMT / 6PM CET / 9AM PST (1 hour) This Week: Advanced Compositing with AOVs Let’s dive deeper into the…