Videomansf
Forum Replies Created
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You can type in the timeline’s TC window the time that you want and then highlight the clip and hit F9, or F10 (as long as you have expose turned off).
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Dv an DVCpro are the same. It’s all D25. Just the record playback tape speeds are different, the data is the same. I have never had this problem, and I only use the DV settings in FCP with my DVCPRO deck.
VM
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Apple UC 10bit, or the Black Magic 10 bit codec will work wonders, but If you need the exact same files, then animation codec is the way to go.
VM -
16bit audio uses 65K levels of volume for ever sample of audio. 24bit audio uses 16 million levels per sample. The steps between samples can be more accurate in 24bits. think of making an audio fade out over 1000 seconds from 0db to -100db. at 16 bits the audio will fade out at 65 volume changes per second, and at 24 bits you would have 1600 changes per second. Now 1000 second fades are not useful but, i am using this to demo a point. You will not get “better” sound capturing 16bit 48K at 24bit 48K, but if you augment the 16 bit signal (say add an eq) in terms of 24bits, that newly created audio will be marginally better than the 16bit eq version. The more you play with the signal, the less the audio will break down in 24bit. Think of it like smooth gradations in video at 8bit vs 10bit. Bit depth can be changed mostly harmlessly, due to the fact that your representing voltage between off and full on or 0 and 1 volt. a value of 74% is the same in both 16bit and 24bit audio, but a value of 74.00423712345% in 24bits might become 74.01% in 16bits. Bits, in other words, are rounded off as bit depth decreases, and will not change as bit depth increases.
In fact, final cut pro processes all audio in 32bits then rounds down to the operating bit depth (16 or 24). Logic 7 works in 64bit audio until processed down. Bit depth will not through you out of sync like sample rate will, and making sure that your sample rates are all the same is much more important. New audio systems even run at 1bit (on or off) at a sample rate of 24MHz, and due to the huge sample rate on and off become almost perfectly smooth waveforms.
VM
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it’s not very different. Adds HDR 10-16bit explanations and midi stuff. the logic is the same, and I really don’t see any need for the mot cirt if your all ready have a motion 1 cirt.
VM
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I would try the demo of this if you can, has many slow-mo and field order system plugins. I have not used them.
https://joesfilters.com/VM
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The best way to do that is go to the deck that recorded it and set it to the speed that you need. Other than that there are field doubling slow-motion tools that you can then slow down after a good export. I’ll look around.
VM
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Yes it will, but…
First off the hard drive is very slow, just about too slow for DV. You’ll need to use an external FW 400 drive. Next up is the graphics card is slow and will cause taring of video frames. You’ll get about 2 streams of dv running in real time if you put 1GB of ram in, and use the external HD. With the ram and external HD your looking at over $1100. The baseline imac G5 17″ for $1300, is Much MUCH better. I’d go for the 20″ imac G5 as a baseline introductory Mac for video editing. It is a far better investment. Even the emac, with its faster HD and better Graphics would be a better computer for video.
VM
HD and SD On-lines
FCP 5, OS 10.4.2
G5 dual 2.7, 8GB ram, x800xt
Kona 2, aja io full
Medea SCSI 320 5TB Raids -
The best way to legalize is the old way. Good old vector scopes, and the 3 way color corrector.
VM