My research has lead me to Asden SGM 1000, which the Australian distributor has tested against mobile phones for me, and he is sending out for me to test next week.
I notice it sells for US$350, and has very good specs, so maybe is worth testing for yourself.
Have also tested a Rode NT 2, but with very poor results in wind and input level distortion when standing next to the P.A. at several wedding receptions (Yes it WAS the microphone that was distorting, not the camera overloading. I was watching and riding the camera input level all night, but had very distorted audio anyway.)
—–I have tested the NTG-1 and NTG-2 and with proper wind protection they are no more or less susceptible to wind than ony other shotgun mic.
As regards the overloading of the mic, I have one here and will have to pull mine out and stick it in front of a speaker just for kicks. BTW, for new audio folks, this technique is not generally recognized as the proper way to capture audio. In addition there are too many questions about what camera was being used and what the levels were set to to make this a meaningful concern.
Did the camera have phantom supply? Was it turned on? This has been known to cause distortion to many battery operable electret mics. I speak from direct experience.
I’ve never seen an Azden shotgun mic in a professional kit. Their SCX-25 studio mic is pretty nice though.
Regards,
Ty Ford
Ty Ford’s “Audio Bootcamp Field Guide” was written for video people who want better audio. Find out more at https://www.tyford.com