Tony Connoly
Forum Replies Created
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Eric, if I wanted to get something that maybe has better audio quality than the EV RE-40 but might require more effort to set-up properly, what would that be
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Thanks Eric,
I just took a look at the frequency response table of Electrovoice RE-50. It drops off below 100Hz. Is that an issue for voice?
They also make a version with high-output neodymium called RE50N/D-B, for about $8 more. What do you think of that?
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I don’t understant price of NXCAM or AF100. Why can Canon produce a full frame DSLR for so much less? AF100 is not even in the ballpark in terms of sensor size–it’s a 4/3 sensor.
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I looked at the p issue, and the camera actually is recording 30p. It saves it in a 60i package, but it’s easily converted back to 30p without any loss in quality.
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I thought I said $100-200, but maybe I forgot to hit send.
I wasn’t planning on buying a separate mic for handholding and one for putting on a table and one for moving around unles you tell me that’s the way to do it. I guess if there is a mic you can hold and walk around with, that’s the one I’d want because I assume you can also put that one on a table, but I’d like to know what the drawbacks would be.
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Ok, I found the trick: you have to choose Audio Time Units and then you can zoom in.
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Thanks for your respone Andrew. I will check out your tutorials.
Two questions about what you said:
(1) You must be talking about the Source Monitor rather than the time line, correct? I cannot zoom in very far in the timeline, which is where I do my final editing.
(2) I’m getting very odd behavior in the Source Monitor. The larger the the Source Monitor window, the LESS I can zoom in. I have to make the window tiny before I can zoom in very far. I can then maximize it and the zoom level will stay. However, once I maximize it I cannot zoom in very far. Even with the maximum zoom I achieved, it’s not NEARLY as close as Soundbooth can zoom in.
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Bob,
What would you recommend for an informal interview (besides a lav, which is the subject for another discussion)? Let’s say in the $100-200 price range, unless everything in that range is terrrrrible.
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Thanks for the article Ty, though I did not understand a word of it. Somebody on another site wrote that you said you liked the low-end of the NTG-2 more than the NTG-3. Anyhow, I clearly don’t know enough to even ask an intelligent question about the differences between two mics.
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I was thinking of the Shure SM57-LC. Will this pick up delicate sounds, or does the person have to have a voice that carries?
I have no budget in the sense that this is on my nickel. Every penny I don’t spend I keep.