Sean Sartori
Forum Replies Created
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I am aware that going to Blu Ray will not “make it look better” than the original. It will, however, be a better compression than a DVD compression, as Blu Ray holds more information than DVD’s. Hence, screening from Blu Ray will look better than screening from DVD.
I’ve abandoned this tack, however, for lack of time, and the festival programmer has agreed to accept another format.
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Well, sure but I was hoping that I could rely on the paid professional for paying attention to the specs and take the responsibility for the levels. Now, if I alter this mix and it comes back for whatever reason, the mixer may turn around and just say “you tweaked it, you own it”.
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I agree with you here, and it is a strange way to work. The thing is, the director is very concerned with color and look shifts when the project is converted to SD. Thus why he wants to do the color correct on the SD signal.
As far as processing, if I am working in an SD sequence like this, is the processing also happening in SD color space? In other words, does FCP do the effects processing or the resolution processing first.
This may be my real only arguing point for me to be able to do the CC in HD.