[Sean Davison]

Thanks – I can do a batch export but its a bit of an issue if theres 1500 clips!

[Sean Davison]

Its 25 – (from Display on front. I dont think its the deck because I get it from my HDV deck too)

[Sean Davison]

The tapes fine – Its a Sony HDCam through my M2000p Sony Deck – It happens with every clip from every machine.

[Sean Davison]

Sorry about the coffee Walter!!!!!

No Im using easy set ups – The sequence settings are right. It seems that my Black magic G5 gives me more realtime than the Intel/Kona
I must have a setting wrong somewhere?

[Sean Davison]

Shouldnt I be set to safe RT? – My Array is a Huge fibrechannel so no speed issues – Ive tried DVCproHD and the KONA DVCProHD settings in sequence set up – They were digitised using a Kona on another (older)system.

[Sean Davison]

Cant wait to try it on Monday!!!!

[Sean Davison]

Thanks Jeremy

Does the sequence have to be an AJA DVCproHD sequence for the accelleration or will it work just as well with an Apple DVCProHD sequence?

[Sean Davison]

How do I get the Kona to handle FCP fx? – I only get the FCP option in the pull down in the effect handling tab.

[Sean Davison]

Thanks David

The problem I have is that Im working on a timeline of over 600 clips – 50% HD 50% archive from as far back as the 1940s!

The offline editors have used loads of picture resizes and zooms done in the motion tab – by dropping a Motion tab Arc onto the clip I blow away all the motion attributes the offline editors done (they never Arc the footage)
So a motion tab is out – I need a high quality HD plugin. ( I have tried it using Cgm 2d plug in resizing and distorting but theres a real loss of quality)

Ill e mail Graeme.

[Sean Davison]

thanks – I need more of a plug in as its for Onlining so I need to apply the plug in to the timeline directly