[Scott Phillips]

OK–I think I see now. So even though all indications are that the “stream” into and out of the ioHD is 59.94, and my footage in my bin is 59.94 and the timeline is 59.94, I can see there are duplicate frames in the clip and this is the pulldown that will give me the “film” look.

Correct?

How does this compare to 24pN? I don’t quite understand this setting. If I’m not overcranking or undercranking, would I use it?

I apologize for all the questions–this forum has been a huge help.

Scott

[Scott Phillips]

But, if I want to do 720p24 with the hvx200, I’ll simply have to log and transfer and therefore bypass the ioHD, right?

In my testing, I’ve set the camera for 720p24, but regardless of the settings, it always comes in at 59.
94–I guess it’s due to the analog signal and not having the pulldown in place.

You aren’t saying there is a way for me to get the 24fps film look with this camera and the ioHD are you? ‘Cause, ultimately, that’s what I’m trying to achieve.

And yes, I’d love to use the ioHD to view our timeline on a monitor, but haven’t figured that out yet.

Scott

[Scott Phillips]

So, it sounds as though we don’t have a use for this ioHD as long as we’re shooting with this camera that lacks the digital (HD-SDI) output.

Correct?

It was recommended to us, but we clearly didn’t know enough about it, and I think the person recommending it wasn’t clear on our equipment. I was just hoping it would be a timesaver with ingesting all our footage as ProRes so we’ve be ready to edit in FCP without constant rendering.

thanks for your help.

Scott

[Scott Phillips]

Ahhh, I see. That makes sense, thanks Jeremy.

Well, can I shoot 720p, 24fps, copy the footage to the Mac and somehow use the io HD to convert all the footage from DVCPROHD to ProRes? Rather than using Compressor.

That is, is it possible to use the io hd to encode files from disc rather than from a camera?

Scott