Keep in mind, that currently, Red Epic is compatible with AMA in MC 6, but the audio associated with it is not. If you’re shooting double system audio, that’s fine, but if not you need to use Red Cine X. In my case, I’m cutting an independent feature that was shot Red Epic. We’re going to master HD, and they don’t currently have the budget to color correct at a high end facility, so we’re not going back to the R3D files, so I created MXF media at DNxHD 175x, and my offline will be my online. (Fortunately, they didn’t shoot a ton of footage because the filesizes are large at DNxHD 175x) The Red Epic did have quite a lot of issues with stability and overheating which caused a lot of shots to either be totally corrupt or partially corrupt. In those cases, I need to use Red Cine X to create DPX seqeuences, then I would use AJA’s DPX converter to import those into Avid, and I’d have to create BWF files to get the camera audio in a second pass. Hopefully you won’t run into those issues, but if you do, that’s what I used to remedy the situation.
Richard Sanchez
Los Angeles, CA
“We are the facilitators of our own creative evolution.” – Bill Hicks