[Richard Christy]

Again, tremendous thanks for all the work. Really appreciated.

Two questions:

1) Why do the marked cut points from the nested Sequence (“A” in the above image) appear to be at different points in the timeline than the “timeline markers” of Sequence Two (“B” in the above image)? Theoretically wouldn’t they need to be at the exact same points in time of both Sequences in order to sync those points across both of the timelines?

2) Also, where did the markers in Sequence Two come from? Did you add those manually after you added the Markers at the cut points in the Sequence One timeline?

[Richard Christy]

Thanks! I await your reply…

[Richard Christy]

So, just so I’m understanding you, does this mean there is a different keyboard shortcut I need to use to jump to the markers in Sequence Two or am I just SOL in that regard?

Also, I’ve verified that the Shift+T command does exactly what I’m looking for, but in the opposite direction. Any chance there is a similar shortcut that will go the other way? Think Left To Right, as opposed to Right to Left which is what it does now.

[Richard Christy]

Well, I know I’ve tripled posted at this point, but I found a flaw in this setup.

I can jump between the markers using CTRL+Arrow as long as I’m in the Sequence in which I added them (Sequence One). However, once you open Sequence Two, you can see the markers from Sequence One, but the keyboard command no longer jumps to these points.

I’m finding Premiere to be a real pain in the ass in this regard as this was basic functionality present in AE, and Premiere seems to be really dropping the ball on this one.

[Richard Christy]

Actually, I found it. Its’ just CTRL+Arrow

[Richard Christy]

I tried the markers concept and they do appear as you described.

However, how do I easily jump between them? The command you mentioned doesn’t work and I think I need the Windows equivalent.

[Richard Christy]

First, thanks for going to that much trouble above! Really appreciated…

Second, I’ll give this a try but first let me ask this. Is “Nesting” the sequences different than just creating a second Sequence and dragging/dropping Sequence One into the Timeline of Sequence Two?

[Richard Christy]

UPDATE:

Just to point out that Ann Bens description above is 100% accurate to my situation.

However, I can confirm that adding markers at the cut point of Sequence One do not seem to translate to Sequence Two, as they are not visible, nor can they be copy/pasted. There is also no kind of hot key (that I know of) that will jump to them…

[Richard Christy]

Just so we’re all on the same page, everyone does know what I’m referring to in After Effects right? The fact that you can navigate to a certain point in time in one comp and have it jump there in another seems to be an automatic function built into After Effects.

Is this not an automatic function of Premier as well? Is this not how they have their sequences laid out?

If I have to set markers or use some other “manual” method, how would it jump to those cuts I’ve made in the first sequence when working in the second sequence?

[Richard Christy]

Yes, I see what you mean. And upon furthering investigation it looks like frying was the wrong word to use. It sounds more like an air conditioner vent. However, we have no air of any kind running and the only other thing that can generate this type of noise is the fans and hum of the PC, which even across the room is quite noticeable.

I’m also finding that by using the Spectral Frequency Display to isolate that bit with the marquee tool and capture a noise print, I’m able to use Soundbooth’s default “reduce by” settings in the Reduce Noise process to almost completely remove it without effecting the tone of the voice.

Winning!