Forum Replies Created

Page 2 of 9
  • Neil Hurwitz

    October 28, 2011 at 2:27 pm in reply to: My Next Move

    I agree with Bob here. However you should be aware that as a Freelancer your Number One Job will always be selling yourself.
    Freelance work (especially production) can dry up just as quick as getting laid off from any job. In addition you have the added work of accounting,collections,taxes, medical insurance, along with the fact that you have no benifits and most likly will never be able to qualify for unemployment insurance if things go south. One thing you don’t mention is what brand of Auto and in what market. A huge BMW or Mercedes dealership in a major market (Large Wealthy Area) is a lot more secure than a Chevy dealership in a smaller less wealthy area.

  • Neil Hurwitz

    August 2, 2011 at 3:18 pm in reply to: Who’s on first?

    I’d say you would be crazy to put your relationship with
    client A in any Jeopardy. This is a longstanding client that has paid you net 60, on time, since the beginning of your relationship,
    You have agreed to this in the past and changing now would be a mistake. Your problem was not caused by client A but by the client that
    went out of business (not a happy day for them or you) So what do you do? Look for an additional source of temporary capital.
    Bank line of credit, Credit card advances, Friends & Relatives.
    It sounds like your business is sound and you have a temporary
    cash shortage caused by a failure of a client. This is not a reason
    to put any other relationship in jeopardy. I know of many many
    houses in this industry that would jump for joy and count their
    lucky stars if all their clients paid them in 60 days. I doubt very much that those advising you to change the way you do business
    get paid in exactly 30 days or by the terms of their billing.
    In this industry 60 is the new 30, You should feel good
    that you have clients that give you a steady flow of work and
    pay in 60 days. You will simply have to find a way to plug the whole
    caused by the client that went out of business, But to do this by
    squeezing other clients is just bad advice.

  • Neil Hurwitz

    July 31, 2011 at 5:09 pm in reply to: Lightworks

    In todays’s news items I see that Postworks and Technicolor
    have joined forces in New York (call it what they may “Franchise”
    it’s a roll up) Technicolor buys Laser Pacific, these things are the big news. Not all this whining about FCPX, It’s getting old and smelly. If you got Work, If you got Billings, If you got loyal customers, Then I guaranty you are not worried about what Apple
    does or doesn’t do, You will simply find the right tools for the job
    It’s just not that complicated.
    Mommy Mommy Mommy The bad man took my toy truck

  • I gotta say this whole thread cracks me up.
    It should come as NO SURPRISE what Apple thinks about all you
    “PRO” FCP users. Hint, THEY DON’T. You are just not a revenue driving force in their minds. I can’t wait to see the fall out of all
    the posters, boasters & promoters here, who claim that they have
    fiqured it all out with their “business models” as they blowviate
    about other closed shops and their “outdadted” models.
    This is their first real test dealing with change.
    And it’s not about a wholesale change in technology it’s about
    one software program. As someone who ran a shop from the days
    of grease pencil editing on 1/2″ reel to reel all the way up
    to Avid & Henry This just CRACKS ME UP
    Just why do you think APPLE owes you anything?
    Just how PUFFED up are you?
    Give me a break, Adapt or Die.
    IT’S UP TO YOU, NOT APPLE

  • Neil Hurwitz

    June 24, 2011 at 3:35 am in reply to: Have Some Tough Desions to make…..

    Needless to say I feel that I somewhat wasted my time and money investing into FCS in general. I can still use 7 (for now) but how long until its retired form the post world 1,2,3,4 years from now?

    What should I do? Im freaking out. I feel like I was just raped on a pinball machine buy APPLE, while Steve Jobs watched.

    Whats my next step?

    Freaking out??
    OH COME ON, Give me a break.
    Are you kidding?
    You have to ask yourself,
    Can I tell a compelling story manipulating picture and sound?
    If you can, so what if apple changes the buttons and functions.
    There are other platforms that you can use.
    If you were an auto mechanic and all American cars went metric,
    Would you quit? Or just buy some new wrenches?
    Furthermore
    I find it insulting to all women to equate Apple making some FCP changes to Rape. My friend, You need to get some perspective here.
    As for your next step
    Buy a Taxi. Of course every 5 or six years you might have to replace
    it and if that is too much of a burden, Get a job at the post office.
    In a technology dependent field I find all this bitching and moaning
    about Apple to be ridiculous. I especially get a kick out of those
    Old hands who wacked the CMX world moaning over the “New Cool Kids” that they are worried about doing the same to them. WAH WAH WAH

  • Neil Hurwitz

    June 22, 2011 at 3:18 pm in reply to: FCP-X: Case study for biz schools

    ou’re right Neil… Now your clients can shoot video on an i-phone, edit on their i-pad, one day they’ll decide they don’t need you any more; you’ll just say “Well it’s just keeping up with the times”

    You are correct, They don’t need me anymore
    I closed my facility in 2001
    I had a old school big steel shop
    CMX,ADO,Deveous,Chyron,GVG Switchers, 1″,D2,D3, BetaSP,Digibeta
    and 32 racks of other stuff.
    All done in by Avid, Things Change my friend,Things Change
    So you ask, Why did I close my shop after 21 years?
    At which point I also owned a few Avid MC8000’s
    Short answer: I didn’t see a way that I could continue the way
    I wanted to (having great people,paying good salaries & benifits
    and making money for myself) at what I saw as a future of
    constant pressure on rates and increasing competition brought on by
    innovation & technology.(AVID) and a diminishing barrier to
    entry. In short it was going to become the land of the digital slave
    and it wasn’t for me. You make jokes about Iphones, well all I can
    say is, turn on the news, any show, and you will see Cell Phone footage being aired. The electronic versions of Zapruder.
    In the late 70’s and 80’s I was part of a
    news stringer operation in NYC. We had guys out all night running around looking for stories. Two person crew, one carried a RCA TK76
    camera and 40 pounds of batteries the other guy carried around
    a 3/4″ deck (BVU50)and another 40 pounds of batteries.
    These guys were connected by an umbilical.
    That’s Over, Done, Stick a fork in it, replaced by a cell phone
    or 200 dollar flip phone.
    Don’t for a heartbeat discount new technology,
    It will be banging on your door soon.
    I also see the complete elimination of tape sometime soon
    SSD’s are going to eat tape for lunch

  • Neil Hurwitz

    June 22, 2011 at 2:11 pm in reply to: FCP-X: Case study for biz schools

    That sounds like another case of welding the battery into case so you need to buy a new cell phone… I don’t mean to be critical, but I really don’t get why you guys put up with this stuff from Mac?

    Answer is simple:
    It’s a CHEAP editing solution. Like I said before
    I know of NO ONE, NOT ONE COMPANY that bought FCP
    when it was introduced because it was better than Avid or Quantel.
    What it was, was cheaper by orders of magnitude.
    FCP became a pro application because it was CHEAP
    Tens of Thousands for Avid, Hundreds of Thousands for Quantel
    A Few Thousand for a FCP setup.
    This is not rocket science.
    FCP enabled most here to set up shop. Apple owes you nothing.
    I get a kick out of all the moaning here. If FCPX doesn’t work for
    you Don’t buy it, Don’t use it and continue doing what you do. I’m sure it will
    improve over time and don’t forget that most here don’t have a
    clue what a CMX 3600 was and the next generation gunning for your
    work won’t have a clue what FCP was, But they will sure know how to
    sing with FCPX.
    Mommy Mommy I wasted 300.00 on FCPX
    No you didn’t, It’s new, It’s here, Learn from the first release
    Don’t try to make money with it, Just keep up with the times
    I could even make the case for NOT polluting any of your current
    equipment or set up with this, Just buy an IMAC and experiment and learn.
    Mommy,Mommy, I want my CMX
    Give me a break

  • Neil Hurwitz

    June 21, 2011 at 3:48 pm in reply to: Advice on new business (contracts/insurance/etc)

    Hi Dominick,
    Just read this thread and checked your site,
    I would recommend that you delete the button for rates
    or put something in there that is not asking for a prospective
    clients contact information. Lots of people find it objectionable
    to be asked for that before they even qualify you as a potential
    vendor. They don’t want to be flooded with solicitations.
    As for taxes, Run to your accountant and ask for advice.
    The taxing authorities are relentless in the pursuit of any
    nickels that think they have a claim on and penalties and interest
    add up much quicker than you could ever imagine.
    Good Luck, NYC is a tough market.

  • Neil Hurwitz

    June 17, 2011 at 12:33 pm in reply to: Dear Avid…

    I have been following along here and I’d like to put in my 2 cents
    I Know of NOBODY, Not one single person or company that bought
    Final Cut Pro when it first came out because it was better than Avid.
    It was bought because it was Way Way Cheaper. Not even in the same ballpark.
    Where FCP got it’s big boost was when Avid came out with
    it’s Adrenaline System and there were Thousands of Meridian system owners out there that Said
    “What the F-ck I just lost 85% of my investment
    I’m NOT doing that again”
    Simultaneously with that was that the first
    generation of Avid Editors
    felt well trained & savy enough to Jump Ship and start their
    own little companies. FCP was cheap enough for them to do this.
    The skills of a capitalist ( The ability to raise the funds to start)
    were simply not needed. It opened the flood gates and the rest is history. Avid now has a good opportunity to recapture some market
    share if they behave nicely ( Ha Ha ) but then again anyone who has
    attended NAB for the last few years has to ask themselves, Is
    AVID really in the business of NLE’S anymore? Or are they keeping it alive to feed there Station Automation and News products?
    So what I predict as happening here is, that most will continue using
    whatever version of FCP they have and are happy with for quite some time and then switch to FCPX because it’s still gonna be the CHEAPEST
    Product and most will have somewhat compatible hardware.
    AT the speed at which things are changing One would have to be crazy not to look for the least expensive solution. This is kind of a radical change for myself because I have always looked for the Best Solution. But I am tired of tossing hundreds of thousands of worthless equipment in the dumpster.

  • Neil Hurwitz

    June 16, 2011 at 1:05 am in reply to: Avid – “Fool me once…”

    As for NLE, Avid put it on hard drives

    Please don’t forget the ABEKAS A62
    This device was basically two hard drives with a
    Digital keyer in the middle
    You went from one drive to another adding a key between them
    The machine would automatically swap play and record.
    We did stuff like 16 sided ice cream cones with moving images
    on each facet. The thing sounded like a jet turbine spinning up.
    I also owned the first Avid 8000 in NYC, Bob Z installed it
    and did plenty of bleeding on the Quadra 950. This was Spring of 1992.

Page 2 of 9

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy