Matt Harris
Forum Replies Created
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No thats not the source footage. Thats a prores export of the source footage. Both images were taken at the same time. Its a screen shot of 2 open quicktime files.
The 5d source footage was a bit noisy but it didn’t look anything like this. The preview file in premiere pro looks good too. Its way worse when the file is playing.
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Thanks Ivan, No effects were applied to the clips. These were 5d files. My comp settings were the Prores 422 output from Premiere. 100% quality. I’ve tried 24 bit and 48 bit. also render at maximum bit depth was checked. Its very strange looking. No problems if I export 444 but the color is a bit different.
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Shane Ross thanks for the TIP. CS6 is no longer choppy on my MBP!
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Thanks ernest. I realize if you replicate the values, then it will be the same. But did replicating those values put your ball on the 3 way that close to the center?
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Same thing happens in the midtones. My point is I can take a scene from a DNG raw file and push it way further before this strong of a cast happens. It feels much better and I’d love to grade that way. Thats the one thing I like about colorist plugin vs resolve.
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Heres an example of a neutral image and then a heavy color cast from minimal adjustment to the highlights. This is a prores 422 file from FCP :
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Yea its v9. Is there not a setting for the sensitivity. I couldn’t believe how much easier it was with the DNG file. I could push the wheels about halfway before it really started to alter drastically.
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Also, its just a ProRess 422 file convert from 5dmkii footage in final cut.
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No Luts applied. I barley have to move the highlight wheel before I get a huge color cast! I have no idea why it does this.
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fixed, right click and clip in timeline and choose “select all”
