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Juan Juig
August 19, 2016 at 11:32 am in reply to: Importing sound into 23.976??

I must also add that the sample rate of the audio is 44.1 kHz.
Juan Juig
November 5, 2015 at 3:49 pm in reply to: Exporting footage that’s been colour corrected

Also what does Avid do with the colour space when you create a video mixdown?
Juan Juig
November 4, 2015 at 7:15 pm in reply to: Transcoding to DNxHD decreases quality

Avid’s workspace by default is 16-235, but if you import the footage correctly that won’t have an effect on footage. You can still export as RGB and everything will be fine.

So the conclusion is that it is better to AMA link and then transcode the footage?
Juan Juig
November 4, 2015 at 12:22 am in reply to: Transcoding to DNxHD decreases quality

I am not sure whether this has anything to do with it but.. perhaps you are importing the footage with wrong colour space. For example importing 601/709 footage as RGB results in lower contrast. Try out different import options and let me know what happens.
Juan Juig
October 9, 2015 at 3:23 pm in reply to: RGB vs 601/709

Thank you for taking time and explaining! 🙂
Juan Juig
October 8, 2015 at 8:05 pm in reply to: RGB vs 601/709

I read the whole thing already, before posting as I found it on another post. Could you explain simply and answer my questions?
Juan Juig
October 4, 2015 at 5:50 pm in reply to: Best possible export settings to export video without loss of information?

Different projects are in different codecs. Okay so same as source or as mr. Phillips said AMA export.

Thanks!
Juan Juig
October 4, 2015 at 2:46 pm in reply to: Best possible export settings to export video without loss of information?

I would just like to export the final edit. I won’t be needing the source files in the future. Yes I will export it to a different storage.
Juan Juig
May 27, 2015 at 8:51 am in reply to: Subclips and batch import

Ok here is what I did:

I batch imported to the original 120 DNxHD clips, this time in 185 DNxHD but before I did that I copied the 120 DNxHD to another location just in case. I did not batch import into duplicated clips from which I created synched subclips and those duplicated (not yet synched) clips are still 120. I also relinked the subclips (that are actually made of duplicated clips) and are now 185 DNxHD.

Now I have both MXFs. All of the 185 and all of the 120. If I move the 120 to another location audio of DSLR footage goes offline. Which doesn’t bother me, but I wonder why that is so.

Also, should I as well relink the duplicated clips that are still 120 (from which I made the synched clips that are now 185) or it doesn’t even matter since synched clips are now 185?

I am sorry if I am not clear enough and thank you for your time.
Juan Juig
May 26, 2015 at 4:14 pm in reply to: Subclips and batch import

I duplicated them and created subclips. I batch imported original clips but they were offline. I used the relink on subclips and they came online and are now DNxHD 185. That’s what I wanted. Did I do it correctly? Also now if I move my 120 DNxHD clips from AvidMediaFiles folder, audio of DSLR footage goes offline. Why is that?

Thank you for taking your time and responding.

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